Steve Ahlman

There are characters that have died in the move of the show that didn't die, and vice versa.

And he's like, oh, I might have made a mistake or something like that.

Oh, gee.

Because we didn't like the ending.

And it's not that.

Again, I think I've said this on this podcast, but I think the ending

Like, when you strip away all the nonsense that makes sense, it's just too jam-packed.

It all happens like this in a world where Game of Thrones, like, those kind of threads are stretched out.

If Dany's gonna go crazy on King's Landing, it can't happen within an episode and a half, right?

It needs to happen within a season and a half.

referring dragon stone being sad being mad like you know killing people every so often you go huh danny's kind of losing a little bit instead of from asande to die she goes actually boom all y'all dying so this kind of happens too rapidly okay so the so this is seasons one through seven the brotherhood cut the martin cut yeah full-on marco

Yeah, Daron the Good.

So where do you start?

Do you start with like Baelor the Blessed and his whole thing about like not marrying or not consummating his marriages so that Aegon can then have sex with his wife?

supposed wife, and then have Damon?

I start with them as older men.

They don't want to do it, though, for whatever reason.

Yeah, Robert's Rebellion, for me, simple TV.

Easy, simple.

I know that George wanted to do it as a play.