Steve Ahlman

You might not like it.

Like, I like this, but I can tell you right now, this might not be for you.

I'm in the bad for this.

But if I go to see it and it's bad, I don't lie.

My taste might be bad.

But I'm not cynical in the fact that I go see something and because of fealty or allegiance to a director or a filmmaker, pretend that it's good when it's not.

This is not a very good movie.

I don't disagree with you.

And so, like, for me, what I'm saying is I think that I actually applaud the fact that Spielberg, to me...

didn't rely very much on nostalgia.

He didn't try to make this the spiritual successor to... He didn't do any of the people that... Any of the things that any... They tried to make a new, fresh movie with this heady exploration of all of these topics.

You haven't, you haven't.

Yeah, like, there's stuff... So, with... I don't know, man.

It's like, it's just... The shit's just kind of whack.

I mean, I'm really trying to... It's well... The movie is really well made, but of all the things that we've talked about, right, there's a phenomenal sequence when there's a chase and there's a train scene, right?

Right.

Because we spent 15 minutes with Wyatt Russell for no fucking reason.

Because that's not a diss to Wyatt Russell.

I fuck with Wyatt Russell.

He was funny.