Steve Ahlman

It starts to get a little bit like... I just want to see the alien.

It starts to get like she is telling us exactly the emotion that we're supposed to feel.

She's guiding us through the scene.

That part was terrible.

Yeah, and it was weird because of all the things that a Spielberg movie has ever been,

it's never been technically poor meaning that like I've never seen one to where I've seen one where it hasn't worked for me or whatever but for every reason but it's never been poor scene craft yeah and a couple of times in this movie it's like legitimately poor scene craft poor like this like you're watching something and you're thinking that this is made by somebody who is not as good as Steven Spielberg now don't get me wrong

When you go and you see the movie, the lens flares are there.

The ridiculous crafting of- Where he puts the camera.

How he moves it.

How he moves it.

The motherfucker is the baddest motherfucker with shooting that type of shit that we've had, right?

Great set pieces.

Great set pieces.

All of that stuff is there.

But in terms of like-

We're in a scene.

The scene has meaning.

You feel something in it.

You get out of it.

There's not as much of that here as there should be.