Steve Martin

Marty, tell them the title of your TV special that I love so much. I, Martin Short Goes Hollywood. But that reminded me of something I read years ago of this funniest book title I ever read. And then I thought, oh, I wish I had thought of that. And then I researched it, and there is no book called that. And I thought, maybe I did think of it.

But it was kind of a comedy biography of a fictitious actor called I, Actor.

But it was kind of a comedy biography of a fictitious actor called I, Actor.

But it was kind of a comedy biography of a fictitious actor called I, Actor.

Can you see me raising my hand?

Can you see me raising my hand?

Can you see me raising my hand?

No, I was just saying that you're right. You usually work with somebody, then you never see them again. But in this case, we continued to work together kind of coincidentally. through Father of the Bride movies. And did we do another movie together? Is that it?

No, I was just saying that you're right. You usually work with somebody, then you never see them again. But in this case, we continued to work together kind of coincidentally. through Father of the Bride movies. And did we do another movie together? Is that it?

No, I was just saying that you're right. You usually work with somebody, then you never see them again. But in this case, we continued to work together kind of coincidentally. through Father of the Bride movies. And did we do another movie together? Is that it?

Well, it's like you guys, you're constantly riffing off each other. It's fun, and when you work together, you start doing that all the time, and then you develop a kind of a, not only a kinship, but a style.

Well, it's like you guys, you're constantly riffing off each other. It's fun, and when you work together, you start doing that all the time, and then you develop a kind of a, not only a kinship, but a style.

Well, it's like you guys, you're constantly riffing off each other. It's fun, and when you work together, you start doing that all the time, and then you develop a kind of a, not only a kinship, but a style.

Well, let me add something. Only Marty has friends. Right. Right. That's my problem with these two. I benefit from his friends.

Well, let me add something. Only Marty has friends. Right. Right. That's my problem with these two. I benefit from his friends.

Well, let me add something. Only Marty has friends. Right. Right. That's my problem with these two. I benefit from his friends.

But he's very social. Everybody wants to be with Marty. And I've told this before. I'd say, you know, if we're, for example, or if someone is plotting a dinner party in Hollywood and you invite these people and you invite Marty, and if Marty can't come, you cancel the party. Marty is the party.

But he's very social. Everybody wants to be with Marty. And I've told this before. I'd say, you know, if we're, for example, or if someone is plotting a dinner party in Hollywood and you invite these people and you invite Marty, and if Marty can't come, you cancel the party. Marty is the party.

But he's very social. Everybody wants to be with Marty. And I've told this before. I'd say, you know, if we're, for example, or if someone is plotting a dinner party in Hollywood and you invite these people and you invite Marty, and if Marty can't come, you cancel the party. Marty is the party.

Yes, right. But I have to add something. And Jason said, after the success of Three Amigos, dot, dot, dot, you really mean 20 years after the success, Three Amigos, did it become a success? It was a minor success at the time. And then it had an accumulation. Yeah. It accrued value.