Steven Spielberg

And we're going to pipe you out with a medley of themes as you get up and the lights come up and you leave the theater.

Simpler times.

Yeah.

It's wonderful.

But that's called exhibition.

That's called presentational style.

That's the other thing is telling it wrong.

And, you know, they had a whole department that did nothing but put black paint on white stars.

Because when one of the... When the Jupiter mission ship passes and starts blocking out stars, it's done in two different passes.

They shoot the stars first with a camera moving basically to allow the...

the mothership, let's say, to come into the frame, you know, Kubrick had an entire department of young people that did nothing but blot out the stars with black paint to make it look like it was being occluded by the ship that's entering frame.

I mean, it's a handmade movie, guys.

It's a handmade film.

And the last handmade film I saw was Guillermo del Toro's Pinocchio.

Even when we were working with Aardman at DreamWorks, releasing Aardman's movies, the last couple movies they made looked like they were done with armatures and stop motion.

But the last couple were done on the computer.

No, the only 1968 thing about this movie was the... How can I say this?

I'm trying to find the right word.

2001 had nothing to do with 1968.

There was no 1968 when you're watching 2001.