Tal Wilkenfeld
👤 SpeakerAppearances Over Time
Podcast Appearances
Again, you can have both. You can have either on anything. There's no like real rules.
Again, you can have both. You can have either on anything. There's no like real rules.
Just one thing.
Just one thing.
Just one thing.
That... And it's what time you're leaving. Okay.
That... And it's what time you're leaving. Okay.
That... And it's what time you're leaving. Okay.
Three minutes.
Three minutes.
Three minutes.
The don'ts is just to please leave your fear at the door.
The don'ts is just to please leave your fear at the door.
The don'ts is just to please leave your fear at the door.
And your do's is to be open to anything and open your ears, like respond to what's happening now. I think that quote you're talking about might have been more about an individual musician's unique sound. Because everyone has their sound.
And your do's is to be open to anything and open your ears, like respond to what's happening now. I think that quote you're talking about might have been more about an individual musician's unique sound. Because everyone has their sound.
And your do's is to be open to anything and open your ears, like respond to what's happening now. I think that quote you're talking about might have been more about an individual musician's unique sound. Because everyone has their sound.
If they've developed their voice and they've listened to their own aesthetic preferences, of which everyone is slightly different, everyone has slightly different likes and dislikes. then you'll have a unique sound on your instrument and your unique sound is defined more by the choices you make rather than, I mean, it's equally as defined by the choices you make and the choices you don't make.
If they've developed their voice and they've listened to their own aesthetic preferences, of which everyone is slightly different, everyone has slightly different likes and dislikes. then you'll have a unique sound on your instrument and your unique sound is defined more by the choices you make rather than, I mean, it's equally as defined by the choices you make and the choices you don't make.
If they've developed their voice and they've listened to their own aesthetic preferences, of which everyone is slightly different, everyone has slightly different likes and dislikes. then you'll have a unique sound on your instrument and your unique sound is defined more by the choices you make rather than, I mean, it's equally as defined by the choices you make and the choices you don't make.