Tanya Mosley

Right. I mean, this goes back to your ability to control the situation. I remember there was a time when I think our baby monitor went out in the middle of the night. So I woke up from a deep sleep. It's 8 o'clock. I'm like, wow, we slept for like eight, nine hours. And I realized that the baby monitor had died. Yeah. I was completely freaked out.

Like, what if I miss like a catastrophe that happened? But then when you think back, it's like, okay, if that were the situation, I would have heard it. I mean, I have my senses. Do you feel like these technologies in many instances kind of take us outside of ourselves from we're like giving control over to the technology?

Like, what if I miss like a catastrophe that happened? But then when you think back, it's like, okay, if that were the situation, I would have heard it. I mean, I have my senses. Do you feel like these technologies in many instances kind of take us outside of ourselves from we're like giving control over to the technology?

Like, what if I miss like a catastrophe that happened? But then when you think back, it's like, okay, if that were the situation, I would have heard it. I mean, I have my senses. Do you feel like these technologies in many instances kind of take us outside of ourselves from we're like giving control over to the technology?

So now you're a mother of two. When you wrote this book, you started off with the pregnancy and birth of your first. This book is called Having a Child in the Digital Age. That's the subtitle. How are you feeling about the future of raising a child in the digital age? Do you see like any positive trends in digital culture for the next generation?

So now you're a mother of two. When you wrote this book, you started off with the pregnancy and birth of your first. This book is called Having a Child in the Digital Age. That's the subtitle. How are you feeling about the future of raising a child in the digital age? Do you see like any positive trends in digital culture for the next generation?

So now you're a mother of two. When you wrote this book, you started off with the pregnancy and birth of your first. This book is called Having a Child in the Digital Age. That's the subtitle. How are you feeling about the future of raising a child in the digital age? Do you see like any positive trends in digital culture for the next generation?

Or do you kind of worry about these issues that we've talked about? Will they only intensify? Where are you on this now?

Or do you kind of worry about these issues that we've talked about? Will they only intensify? Where are you on this now?

Or do you kind of worry about these issues that we've talked about? Will they only intensify? Where are you on this now?

Well, Amanda, I really appreciate you writing this book, and thank you so much for taking the time to talk with us about it. Thank you so much. Amanda Hess is a journalist, cultural critic, and author of the memoir Second Life, Having a Child in the Digital Age. Coming up, book critic Maureen Corrigan reviews Daniel Kelman's latest novel, The Director. This is Fresh Air.

Well, Amanda, I really appreciate you writing this book, and thank you so much for taking the time to talk with us about it. Thank you so much. Amanda Hess is a journalist, cultural critic, and author of the memoir Second Life, Having a Child in the Digital Age. Coming up, book critic Maureen Corrigan reviews Daniel Kelman's latest novel, The Director. This is Fresh Air.

Well, Amanda, I really appreciate you writing this book, and thank you so much for taking the time to talk with us about it. Thank you so much. Amanda Hess is a journalist, cultural critic, and author of the memoir Second Life, Having a Child in the Digital Age. Coming up, book critic Maureen Corrigan reviews Daniel Kelman's latest novel, The Director. This is Fresh Air.

German-born writer Daniel Kelman was shortlisted for the International Booker Prize in 2020 for his novel Till. His latest novel, The Director, is largely set in Nazi Germany and raises questions about art and collaboration. Our book critic Maureen Corrigan has a review.

German-born writer Daniel Kelman was shortlisted for the International Booker Prize in 2020 for his novel Till. His latest novel, The Director, is largely set in Nazi Germany and raises questions about art and collaboration. Our book critic Maureen Corrigan has a review.

German-born writer Daniel Kelman was shortlisted for the International Booker Prize in 2020 for his novel Till. His latest novel, The Director, is largely set in Nazi Germany and raises questions about art and collaboration. Our book critic Maureen Corrigan has a review.

Maureen Corrigan is a professor of literature at Georgetown University. She reviewed The Director by Daniel Kelman. On tomorrow's show, R. Crum, the king of underground comics, a famous eccentric, and a musician caught up in the blues and jazz of the past. Crum created Zap Comics and characters like Mr. Natural and Fritz the Cat. He's the subject of a new biography. I hope you can join us.

Maureen Corrigan is a professor of literature at Georgetown University. She reviewed The Director by Daniel Kelman. On tomorrow's show, R. Crum, the king of underground comics, a famous eccentric, and a musician caught up in the blues and jazz of the past. Crum created Zap Comics and characters like Mr. Natural and Fritz the Cat. He's the subject of a new biography. I hope you can join us.

Maureen Corrigan is a professor of literature at Georgetown University. She reviewed The Director by Daniel Kelman. On tomorrow's show, R. Crum, the king of underground comics, a famous eccentric, and a musician caught up in the blues and jazz of the past. Crum created Zap Comics and characters like Mr. Natural and Fritz the Cat. He's the subject of a new biography. I hope you can join us.

Fresh Air's executive producer is Danny Miller. Our technical director and engineer is Audrey Bentham. Our managing producer is Sam Brigger. Our interviews and reviews are produced and edited by Phyllis Myers, Roberta Shorrock, Anne-Marie Baldonado, Lauren Krenzel, Teresa Madden, Monique Nazareth, Susan Yakundi, Anna Bauman, and Joel Wolfram. Our digital media producer is Molly C.V. Nesper.