Tanya Mosley

Your exhibit made me think about something that writer Samuel Delaney said.

Your exhibit made me think about something that writer Samuel Delaney said.

Yes, and I've been thinking about this for the last few weeks, honestly. But he has this theory that imagination is the only shared reality and that creativity is how we manifest that shared reality. And I couldn't help but think about the limitations of language at this particular time when we can't even seem to agree on a shared reality. And I was just wondering, is that something?

Yes, and I've been thinking about this for the last few weeks, honestly. But he has this theory that imagination is the only shared reality and that creativity is how we manifest that shared reality. And I couldn't help but think about the limitations of language at this particular time when we can't even seem to agree on a shared reality. And I was just wondering, is that something?

Yes, and I've been thinking about this for the last few weeks, honestly. But he has this theory that imagination is the only shared reality and that creativity is how we manifest that shared reality. And I couldn't help but think about the limitations of language at this particular time when we can't even seem to agree on a shared reality. And I was just wondering, is that something?

How does silence, in particular, the things that are unsaid, unspoken, but are very important to the narrative, how does that show up in your writing?

How does silence, in particular, the things that are unsaid, unspoken, but are very important to the narrative, how does that show up in your writing?

How does silence, in particular, the things that are unsaid, unspoken, but are very important to the narrative, how does that show up in your writing?

Is there silence in your life? I mean, I'm thinking about what it takes for you to come to these ideas. What is your day-to-day like? Do you carve out time for silence?

Is there silence in your life? I mean, I'm thinking about what it takes for you to come to these ideas. What is your day-to-day like? Do you carve out time for silence?

Is there silence in your life? I mean, I'm thinking about what it takes for you to come to these ideas. What is your day-to-day like? Do you carve out time for silence?

One of the other topics that you write about in your essay that accompanies this particular exhibit is this idea of connoisseurship. Who gets to be an expert in evaluating what's actually beautiful, what is good? And I was thinking about how... You kind of have ultimate power within the spaces you occupy.

One of the other topics that you write about in your essay that accompanies this particular exhibit is this idea of connoisseurship. Who gets to be an expert in evaluating what's actually beautiful, what is good? And I was thinking about how... You kind of have ultimate power within the spaces you occupy.

One of the other topics that you write about in your essay that accompanies this particular exhibit is this idea of connoisseurship. Who gets to be an expert in evaluating what's actually beautiful, what is good? And I was thinking about how... You kind of have ultimate power within the spaces you occupy.

Having the powers of critique and curation, I mean, I think one of my producers said, like, it's almost like the opposite of imposter syndrome. Did you always possess that sense of taste, of knowing what is good?

Having the powers of critique and curation, I mean, I think one of my producers said, like, it's almost like the opposite of imposter syndrome. Did you always possess that sense of taste, of knowing what is good?

Having the powers of critique and curation, I mean, I think one of my producers said, like, it's almost like the opposite of imposter syndrome. Did you always possess that sense of taste, of knowing what is good?

I mean, say more on what she meant by that.

I mean, say more on what she meant by that.

I mean, say more on what she meant by that.