Tanya Mosley

and a really long time to have to kind of face like as a creative, but you've dealt with that your whole life. And how do you deal with that when you have a career that's really based on your childhood dreams, you know, just for those who don't know, I just want to like lay this out. So you and Evan, you're, um,

your creative partner and business partner you guys met when you were 13 years old in bar mitzvah classes and soon after you all began writing these screenplays together and like so much of the art that we see that comes from you like the films and things it comes from your childhood imagination or the imagination that you all have like

your creative partner and business partner you guys met when you were 13 years old in bar mitzvah classes and soon after you all began writing these screenplays together and like so much of the art that we see that comes from you like the films and things it comes from your childhood imagination or the imagination that you all have like

your creative partner and business partner you guys met when you were 13 years old in bar mitzvah classes and soon after you all began writing these screenplays together and like so much of the art that we see that comes from you like the films and things it comes from your childhood imagination or the imagination that you all have like

created together over the decades yeah so it's like very personal very personal yes I mean how have you dealt with that in in the years you know what receiving notes and stuff like that or criticism yeah notes and criticism and then having the like that extra something to have you to keep going

created together over the decades yeah so it's like very personal very personal yes I mean how have you dealt with that in in the years you know what receiving notes and stuff like that or criticism yeah notes and criticism and then having the like that extra something to have you to keep going

created together over the decades yeah so it's like very personal very personal yes I mean how have you dealt with that in in the years you know what receiving notes and stuff like that or criticism yeah notes and criticism and then having the like that extra something to have you to keep going

Well, because so much of your material comes from a personal place. Have you ever gotten a note from an executive that felt like an insult?

Well, because so much of your material comes from a personal place. Have you ever gotten a note from an executive that felt like an insult?

Well, because so much of your material comes from a personal place. Have you ever gotten a note from an executive that felt like an insult?

Well, wasn't there that note from that executive or something about Jonah Hill's character is super bad?

Well, wasn't there that note from that executive or something about Jonah Hill's character is super bad?

Well, wasn't there that note from that executive or something about Jonah Hill's character is super bad?

But the thing about the Superbad one, I mean, Jonah's character is based on you.

But the thing about the Superbad one, I mean, Jonah's character is based on you.

But the thing about the Superbad one, I mean, Jonah's character is based on you.

A few years ago, though, there was like this market change. You became very, very stylish in like a very intentional way. And I just want to know if it's an evolution of just who you are or was it – is there a story behind it?

A few years ago, though, there was like this market change. You became very, very stylish in like a very intentional way. And I just want to know if it's an evolution of just who you are or was it – is there a story behind it?

A few years ago, though, there was like this market change. You became very, very stylish in like a very intentional way. And I just want to know if it's an evolution of just who you are or was it – is there a story behind it?

I mean, do people treat you differently or relate to you differently?