Tanya Mosley

Also, critic-at-large John Powers reviews the Brazilian film I'm Still Here. That's coming up on Fresh Air Weekend.

This is Fresh Air Weekend. I'm Tanya Mosley. Terry has our first interview. I'll let her introduce it. Here's a question for you.

This is Fresh Air Weekend. I'm Tanya Mosley. Terry has our first interview. I'll let her introduce it. Here's a question for you.

This is Fresh Air Weekend. I'm Tanya Mosley. Terry has our first interview. I'll let her introduce it. Here's a question for you.

We're listening to Terry's interview with Ricky Riccardi, author of the new book Stomp Off, Let's Go! The Early Years of Louis Armstrong. We'll hear more of their conversation after a short break. I'm Tanya Mosley, and this is Fresh Air Weekend.

We're listening to Terry's interview with Ricky Riccardi, author of the new book Stomp Off, Let's Go! The Early Years of Louis Armstrong. We'll hear more of their conversation after a short break. I'm Tanya Mosley, and this is Fresh Air Weekend.

We're listening to Terry's interview with Ricky Riccardi, author of the new book Stomp Off, Let's Go! The Early Years of Louis Armstrong. We'll hear more of their conversation after a short break. I'm Tanya Mosley, and this is Fresh Air Weekend.

Ricky Riccardi's new book is Stomp Off, Let's Go! The Early Years of Louis Armstrong. He spoke with Terry Gross. In the new film I'm Still Here, the Brazilian filmmaker Walter Salles tells the true story of a Rio de Janeiro mother who reinvents herself when Brazil's military dictatorship goes after her husband.

Ricky Riccardi's new book is Stomp Off, Let's Go! The Early Years of Louis Armstrong. He spoke with Terry Gross. In the new film I'm Still Here, the Brazilian filmmaker Walter Salles tells the true story of a Rio de Janeiro mother who reinvents herself when Brazil's military dictatorship goes after her husband.

Ricky Riccardi's new book is Stomp Off, Let's Go! The Early Years of Louis Armstrong. He spoke with Terry Gross. In the new film I'm Still Here, the Brazilian filmmaker Walter Salles tells the true story of a Rio de Janeiro mother who reinvents herself when Brazil's military dictatorship goes after her husband.

The movie has been Oscar-nominated for both Best Picture and Best International Feature Film. Its star, Fernanda Torres, has been nominated for Best Actress. She's already won the Golden Globe, and our critic-at-large John Powers says, I'm Still Here is a moving, inspiring, beautifully made story about learning to confront tyranny.

The movie has been Oscar-nominated for both Best Picture and Best International Feature Film. Its star, Fernanda Torres, has been nominated for Best Actress. She's already won the Golden Globe, and our critic-at-large John Powers says, I'm Still Here is a moving, inspiring, beautifully made story about learning to confront tyranny.

The movie has been Oscar-nominated for both Best Picture and Best International Feature Film. Its star, Fernanda Torres, has been nominated for Best Actress. She's already won the Golden Globe, and our critic-at-large John Powers says, I'm Still Here is a moving, inspiring, beautifully made story about learning to confront tyranny.

John Powers reviewed the new movie, I'm Still Here. Coming up, we'll talk about the loneliness epidemic with writer Derek Thompson, author of a recent article in The Atlantic called The Antisocial Century. I'm Tanya Mosley, and this is Fresh Air Weekend.

John Powers reviewed the new movie, I'm Still Here. Coming up, we'll talk about the loneliness epidemic with writer Derek Thompson, author of a recent article in The Atlantic called The Antisocial Century. I'm Tanya Mosley, and this is Fresh Air Weekend.

John Powers reviewed the new movie, I'm Still Here. Coming up, we'll talk about the loneliness epidemic with writer Derek Thompson, author of a recent article in The Atlantic called The Antisocial Century. I'm Tanya Mosley, and this is Fresh Air Weekend.

Recently, my guest, writer Derek Thompson, took his family out to dinner and noticed that while the restaurant was bustling, he and his family were the only people actually sitting down to eat. Every few minutes, a flurry of people would walk in, grab bags of food, and walk out.

Recently, my guest, writer Derek Thompson, took his family out to dinner and noticed that while the restaurant was bustling, he and his family were the only people actually sitting down to eat. Every few minutes, a flurry of people would walk in, grab bags of food, and walk out.

Recently, my guest, writer Derek Thompson, took his family out to dinner and noticed that while the restaurant was bustling, he and his family were the only people actually sitting down to eat. Every few minutes, a flurry of people would walk in, grab bags of food, and walk out.

The restaurant's bar counter had become, as he puts it, a silent depot for people to grab food to eat at home in solitude. In February's issue of The Atlantic, Thompson writes about the phenomenon he calls the antisocial century. More people are choosing isolation over hanging out with others, and we can't blame it all on COVID-19. This trend started before the pandemic.