Tanya Mosley

Yeah, yeah. Okay, this is so fascinating to me because one of the things in reading this book that I kept thinking about is that you also have to sit in this seat of non-judgment for all of the requests that come to you.

Is there ever a moment where you do judge or where do you put yourself as far as your mental space to come to the table so that you can accept whatever, as long as you're safe, of course, whatever is being requested of you or brought to you as a fantasy?

Is there ever a moment where you do judge or where do you put yourself as far as your mental space to come to the table so that you can accept whatever, as long as you're safe, of course, whatever is being requested of you or brought to you as a fantasy?

Is there ever a moment where you do judge or where do you put yourself as far as your mental space to come to the table so that you can accept whatever, as long as you're safe, of course, whatever is being requested of you or brought to you as a fantasy?

Has there ever been an instance where you've seen these men in real life, in day-to-day life, at the grocery store, at the post office? And if that's the case, like, you just pretend you just walk on by.

Has there ever been an instance where you've seen these men in real life, in day-to-day life, at the grocery store, at the post office? And if that's the case, like, you just pretend you just walk on by.

Has there ever been an instance where you've seen these men in real life, in day-to-day life, at the grocery store, at the post office? And if that's the case, like, you just pretend you just walk on by.

Right, because that's part of the fantasy is it stays what's in the dungeon stays in the dungeon.

Right, because that's part of the fantasy is it stays what's in the dungeon stays in the dungeon.

Right, because that's part of the fantasy is it stays what's in the dungeon stays in the dungeon.

You know, you're young. We kind of bask in the glow of Ruth's youth in this book. Even though she does encounter OGs, like the woman who runs this home, this house, you know, BDSM house. Is there a life cycle for this kind of work? You know, I think it's obvious like for stripping, for instance, but like in particular to be a dominatrix, is there an end date?

You know, you're young. We kind of bask in the glow of Ruth's youth in this book. Even though she does encounter OGs, like the woman who runs this home, this house, you know, BDSM house. Is there a life cycle for this kind of work? You know, I think it's obvious like for stripping, for instance, but like in particular to be a dominatrix, is there an end date?

You know, you're young. We kind of bask in the glow of Ruth's youth in this book. Even though she does encounter OGs, like the woman who runs this home, this house, you know, BDSM house. Is there a life cycle for this kind of work? You know, I think it's obvious like for stripping, for instance, but like in particular to be a dominatrix, is there an end date?

Do you know other careers that other doms have gone to once they leave this kind of work?

Do you know other careers that other doms have gone to once they leave this kind of work?

Do you know other careers that other doms have gone to once they leave this kind of work?

Brittany Newell, thank you so much for this book. It was such a fun read and this was such a delightful conversation. Thank you.

Brittany Newell, thank you so much for this book. It was such a fun read and this was such a delightful conversation. Thank you.

Brittany Newell, thank you so much for this book. It was such a fun read and this was such a delightful conversation. Thank you.

Brittany Newell is the author of the new novel, Softcore. Fresh Air Weekend is produced by Teresa Madden. Fresh Air's executive producer is Danny Miller. Sam Brigger is our managing producer. Our technical director and engineer is Audrey Bentham.