Tanya Mosley

I'm over the moon. Yes, well, thank you for being here. I really enjoyed your book. It was such a good read. And I want to know, first off, how much of soft core is fiction and how much of it is based on real life?

I'm over the moon. Yes, well, thank you for being here. I really enjoyed your book. It was such a good read. And I want to know, first off, how much of soft core is fiction and how much of it is based on real life?

I'm over the moon. Yes, well, thank you for being here. I really enjoyed your book. It was such a good read. And I want to know, first off, how much of soft core is fiction and how much of it is based on real life?

I mean, I could see why, knowing that your main character, Ruth, she has a master's degree. She's working in these underworlds. And like you, you are a Stanford graduate. And you have a really interesting story into your foray into these worlds, which we're going to get to in just a moment. But Ruth, the protagonist in the book, she's also known as her stripper name, Baby.

I mean, I could see why, knowing that your main character, Ruth, she has a master's degree. She's working in these underworlds. And like you, you are a Stanford graduate. And you have a really interesting story into your foray into these worlds, which we're going to get to in just a moment. But Ruth, the protagonist in the book, she's also known as her stripper name, Baby.

I mean, I could see why, knowing that your main character, Ruth, she has a master's degree. She's working in these underworlds. And like you, you are a Stanford graduate. And you have a really interesting story into your foray into these worlds, which we're going to get to in just a moment. But Ruth, the protagonist in the book, she's also known as her stripper name, Baby.

And one of the more powerful elements of your writing is is that you not only explore what's in it for the guys that she services, you also explore outside of money what's in it for her to be a stripper and a dominatrix. How would you describe Ruth?

And one of the more powerful elements of your writing is is that you not only explore what's in it for the guys that she services, you also explore outside of money what's in it for her to be a stripper and a dominatrix. How would you describe Ruth?

And one of the more powerful elements of your writing is is that you not only explore what's in it for the guys that she services, you also explore outside of money what's in it for her to be a stripper and a dominatrix. How would you describe Ruth?

Well, one of the things that Ruth does throughout the book is kind of make clear that she sees herself as average. And she does this like in her description of her physicality, what she looks like. She's like the girl next door. I think that she said that she made men's mangy dreams come true. Why was it important for Ruth to be kind of an average girl with an average body in this world?

Well, one of the things that Ruth does throughout the book is kind of make clear that she sees herself as average. And she does this like in her description of her physicality, what she looks like. She's like the girl next door. I think that she said that she made men's mangy dreams come true. Why was it important for Ruth to be kind of an average girl with an average body in this world?

Well, one of the things that Ruth does throughout the book is kind of make clear that she sees herself as average. And she does this like in her description of her physicality, what she looks like. She's like the girl next door. I think that she said that she made men's mangy dreams come true. Why was it important for Ruth to be kind of an average girl with an average body in this world?

How did you go from being a Stanford graduate to a dominatrix?

How did you go from being a Stanford graduate to a dominatrix?

How did you go from being a Stanford graduate to a dominatrix?

Right, because you did study queer periods and contemporary fiction.

Right, because you did study queer periods and contemporary fiction.

Right, because you did study queer periods and contemporary fiction.

Sitting down and talking, right? Yeah, yeah. Okay, this is so fascinating to me because one of the things in reading this book that I kept thinking about is that you also have to sit in this seat of non-judgment for all of the requests that come to you.

Sitting down and talking, right? Yeah, yeah. Okay, this is so fascinating to me because one of the things in reading this book that I kept thinking about is that you also have to sit in this seat of non-judgment for all of the requests that come to you.