Tanya Mosley

Our interviews and reviews are produced and edited by Phyllis Myers, Annemarie Baldonado, Lauren Krenzel, Teresa Madden, Monique Nazareth, Thea Challoner, Susan Nakundi, and Anna Bauman. Our digital media producer is Molly C.B. Nesper. Roberta Shorrock directs the show. With Terry Gross, I'm Tanya Mosley.

Our interviews and reviews are produced and edited by Phyllis Myers, Annemarie Baldonado, Lauren Krenzel, Teresa Madden, Monique Nazareth, Thea Challoner, Susan Nakundi, and Anna Bauman. Our digital media producer is Molly C.B. Nesper. Roberta Shorrock directs the show. With Terry Gross, I'm Tanya Mosley.

Our interviews and reviews are produced and edited by Phyllis Myers, Annemarie Baldonado, Lauren Krenzel, Teresa Madden, Monique Nazareth, Thea Challoner, Susan Nakundi, and Anna Bauman. Our digital media producer is Molly C.B. Nesper. Roberta Shorrock directs the show. With Terry Gross, I'm Tanya Mosley.

This is Fresh Air. I'm Tanya Mosley. You know, sometimes there are ideas that make you reconsider the way you look at the world around you. My guest today, scholar Imani Perry, does that with her new book, Black and Blues, How a Color Tells the Story of My People. Perry weaves the gravitational pull of blue in black life, both literally and metaphorically, in sound and in color.

This is Fresh Air. I'm Tanya Mosley. You know, sometimes there are ideas that make you reconsider the way you look at the world around you. My guest today, scholar Imani Perry, does that with her new book, Black and Blues, How a Color Tells the Story of My People. Perry weaves the gravitational pull of blue in black life, both literally and metaphorically, in sound and in color.

This is Fresh Air. I'm Tanya Mosley. You know, sometimes there are ideas that make you reconsider the way you look at the world around you. My guest today, scholar Imani Perry, does that with her new book, Black and Blues, How a Color Tells the Story of My People. Perry weaves the gravitational pull of blue in black life, both literally and metaphorically, in sound and in color.

From the creation of dyed indigo cloths and West Africa that were traded for human life in the 16th century to the American art form of blues music and sartorial choices. Coretta Scott King wore blue on her wedding day. Fannie Lou Hamer wore a blue dress to testify before Congress.

From the creation of dyed indigo cloths and West Africa that were traded for human life in the 16th century to the American art form of blues music and sartorial choices. Coretta Scott King wore blue on her wedding day. Fannie Lou Hamer wore a blue dress to testify before Congress.

From the creation of dyed indigo cloths and West Africa that were traded for human life in the 16th century to the American art form of blues music and sartorial choices. Coretta Scott King wore blue on her wedding day. Fannie Lou Hamer wore a blue dress to testify before Congress.

These examples could be seen as mere coincidences, but in this book, Perry weaves a compelling argument for why they are not. Imani Perry is the Henry A. Morris Jr. and Elizabeth W. Morris Professor of Studies of Women, Gender, and Sexuality and of African and African American Studies at Harvard University.

These examples could be seen as mere coincidences, but in this book, Perry weaves a compelling argument for why they are not. Imani Perry is the Henry A. Morris Jr. and Elizabeth W. Morris Professor of Studies of Women, Gender, and Sexuality and of African and African American Studies at Harvard University.

These examples could be seen as mere coincidences, but in this book, Perry weaves a compelling argument for why they are not. Imani Perry is the Henry A. Morris Jr. and Elizabeth W. Morris Professor of Studies of Women, Gender, and Sexuality and of African and African American Studies at Harvard University.

She's also the author of several books and has published numerous articles on law, cultural studies, and African American studies, including Looking for Lorraine, which is a biography of of the playwright Lorraine Hansberry, and Breathe, a letter to my sons. Imani Perry, welcome back to Fresh Air, and thank you so much for this fascinating book. Oh, thank you for having me.

She's also the author of several books and has published numerous articles on law, cultural studies, and African American studies, including Looking for Lorraine, which is a biography of of the playwright Lorraine Hansberry, and Breathe, a letter to my sons. Imani Perry, welcome back to Fresh Air, and thank you so much for this fascinating book. Oh, thank you for having me.

She's also the author of several books and has published numerous articles on law, cultural studies, and African American studies, including Looking for Lorraine, which is a biography of of the playwright Lorraine Hansberry, and Breathe, a letter to my sons. Imani Perry, welcome back to Fresh Air, and thank you so much for this fascinating book. Oh, thank you for having me.

Can I have you read a passage, page 21, last paragraph?

Can I have you read a passage, page 21, last paragraph?

Can I have you read a passage, page 21, last paragraph?

Thank you so much for that, Amani. I also want to say that this book is, I know you don't think of yourself as a poet, but it's very lyrical. It's really poetry. Thank you. How did meditating on the color blue help you come to a deeper understanding about the use of the word black to articulate what we are?

Thank you so much for that, Amani. I also want to say that this book is, I know you don't think of yourself as a poet, but it's very lyrical. It's really poetry. Thank you. How did meditating on the color blue help you come to a deeper understanding about the use of the word black to articulate what we are?