Tanya Mosley

art forms that are suffering and coming to a crossroads and having to reinvent themselves. And that really resonated with me. I think it's a story about second chances and about the mother-daughter story and trying to find a way to parent as a single mother in an entertainment industry, of course, is another part that I could really relate to and was really interested in.

art forms that are suffering and coming to a crossroads and having to reinvent themselves. And that really resonated with me. I think it's a story about second chances and about the mother-daughter story and trying to find a way to parent as a single mother in an entertainment industry, of course, is another part that I could really relate to and was really interested in.

art forms that are suffering and coming to a crossroads and having to reinvent themselves. And that really resonated with me. I think it's a story about second chances and about the mother-daughter story and trying to find a way to parent as a single mother in an entertainment industry, of course, is another part that I could really relate to and was really interested in.

dealing with in a film, in hindsight, there's so much to this film that I felt was, you know, cathartic in some ways.

dealing with in a film, in hindsight, there's so much to this film that I felt was, you know, cathartic in some ways.

dealing with in a film, in hindsight, there's so much to this film that I felt was, you know, cathartic in some ways.

Well, there was a lot of joy, a lot of pride. And, you know, there's the showgirl walk. You know, the showgirls are not burlesque dancers. They're very far from it. And they told me stories of how they weren't allowed to mingle in the casinos after their performances, that they were to go home and that they were very well protected. By people that looked after them.

Well, there was a lot of joy, a lot of pride. And, you know, there's the showgirl walk. You know, the showgirls are not burlesque dancers. They're very far from it. And they told me stories of how they weren't allowed to mingle in the casinos after their performances, that they were to go home and that they were very well protected. By people that looked after them.

Well, there was a lot of joy, a lot of pride. And, you know, there's the showgirl walk. You know, the showgirls are not burlesque dancers. They're very far from it. And they told me stories of how they weren't allowed to mingle in the casinos after their performances, that they were to go home and that they were very well protected. By people that looked after them.

And there was a lot of rules just to keep them safe. And that, you know, they went on to be, you know, in real estate or dance instructors or insurance salesmen, saleswomen or anything. It was just very... I wanted to know what happened after. And a lot of them got married and reconnected with their children. You know, they had children while they were working. And like that scene with Billy...

And there was a lot of rules just to keep them safe. And that, you know, they went on to be, you know, in real estate or dance instructors or insurance salesmen, saleswomen or anything. It was just very... I wanted to know what happened after. And a lot of them got married and reconnected with their children. You know, they had children while they were working. And like that scene with Billy...

And there was a lot of rules just to keep them safe. And that, you know, they went on to be, you know, in real estate or dance instructors or insurance salesmen, saleswomen or anything. It was just very... I wanted to know what happened after. And a lot of them got married and reconnected with their children. You know, they had children while they were working. And like that scene with Billy...

I always say we are going to have to beg forgiveness to our adult children, all of us, that there's just no perfect way to do it and no perfect way to be a parent. And when our adult children, we can actually sit down with them and talk to them about their experience. I think that's a really important conversation. And it doesn't always go well for either party, but it's a start.

I always say we are going to have to beg forgiveness to our adult children, all of us, that there's just no perfect way to do it and no perfect way to be a parent. And when our adult children, we can actually sit down with them and talk to them about their experience. I think that's a really important conversation. And it doesn't always go well for either party, but it's a start.

I always say we are going to have to beg forgiveness to our adult children, all of us, that there's just no perfect way to do it and no perfect way to be a parent. And when our adult children, we can actually sit down with them and talk to them about their experience. I think that's a really important conversation. And it doesn't always go well for either party, but it's a start.

And I think it's something anybody can relate to in any business.

And I think it's something anybody can relate to in any business.

And I think it's something anybody can relate to in any business.

Yeah, I mean, that probably was about money. I mean, I didn't do this project for money. I did it for the experience. And yes, I feel like when you're a part of pop culture, it's a blessing, but it's also a little bit of a deficit. You have to prove to people, first of all, that you're human and then that you're capable of doing more and being in this industry.

Yeah, I mean, that probably was about money. I mean, I didn't do this project for money. I did it for the experience. And yes, I feel like when you're a part of pop culture, it's a blessing, but it's also a little bit of a deficit. You have to prove to people, first of all, that you're human and then that you're capable of doing more and being in this industry.