Tanya Mosley

Why was there even a backlog to begin with? I think Detroit or Michigan was one of the first places we began to hear of thousands and thousands of rape kits that had yet to be tested.

Why was there even a backlog to begin with? I think Detroit or Michigan was one of the first places we began to hear of thousands and thousands of rape kits that had yet to be tested.

When you wrote the original piece that then became this book, you wrote a piece in 2020 for The New York Times. There was this one big thing that you struggled with, and that was your own experience with sexual assault. How did you decide to tell your story of what happened to you within this story?

When you wrote the original piece that then became this book, you wrote a piece in 2020 for The New York Times. There was this one big thing that you struggled with, and that was your own experience with sexual assault. How did you decide to tell your story of what happened to you within this story?

When you wrote the original piece that then became this book, you wrote a piece in 2020 for The New York Times. There was this one big thing that you struggled with, and that was your own experience with sexual assault. How did you decide to tell your story of what happened to you within this story?

Going back to that story of Marty Goddard, Marty didn't feel like she needed to be the face of this. In fact, she didn't even like being in the forefront of most things that she did. Why do you think it's important that we know her name, know her contribution?

Going back to that story of Marty Goddard, Marty didn't feel like she needed to be the face of this. In fact, she didn't even like being in the forefront of most things that she did. Why do you think it's important that we know her name, know her contribution?

Going back to that story of Marty Goddard, Marty didn't feel like she needed to be the face of this. In fact, she didn't even like being in the forefront of most things that she did. Why do you think it's important that we know her name, know her contribution?

Pagan Kennedy, thank you so much for taking the time and for writing this book. Thank you so much. Pagan Kennedy's new book is The Secret History of the Rape Kit, A True Crime Story. Coming up, TV critic David Bianculli reviews a new Western miniseries on Netflix, which he calls both dark and very good. This is Fresh Air.

Pagan Kennedy, thank you so much for taking the time and for writing this book. Thank you so much. Pagan Kennedy's new book is The Secret History of the Rape Kit, A True Crime Story. Coming up, TV critic David Bianculli reviews a new Western miniseries on Netflix, which he calls both dark and very good. This is Fresh Air.

Pagan Kennedy, thank you so much for taking the time and for writing this book. Thank you so much. Pagan Kennedy's new book is The Secret History of the Rape Kit, A True Crime Story. Coming up, TV critic David Bianculli reviews a new Western miniseries on Netflix, which he calls both dark and very good. This is Fresh Air.

Netflix recently premiered all six episodes of a new Western miniseries set in the lawless Utah territory of 1857. It's a collaboration between writer Mark L. Smith, who wrote The Revenant, and actor-director Peter Berg of Friday Night Lights. TV critic David Bianculli has seen the entire series and says it's very dark, very unpredictable, but also very good. Here's his review.

Netflix recently premiered all six episodes of a new Western miniseries set in the lawless Utah territory of 1857. It's a collaboration between writer Mark L. Smith, who wrote The Revenant, and actor-director Peter Berg of Friday Night Lights. TV critic David Bianculli has seen the entire series and says it's very dark, very unpredictable, but also very good. Here's his review.

Netflix recently premiered all six episodes of a new Western miniseries set in the lawless Utah territory of 1857. It's a collaboration between writer Mark L. Smith, who wrote The Revenant, and actor-director Peter Berg of Friday Night Lights. TV critic David Bianculli has seen the entire series and says it's very dark, very unpredictable, but also very good. Here's his review.

David Bianculli is a professor of television studies at Rowan University. He reviewed the new Netflix series American Primeval. Fresh Air's executive producer is Danny Miller. Our technical director and engineer is Audrey Bentham.

David Bianculli is a professor of television studies at Rowan University. He reviewed the new Netflix series American Primeval. Fresh Air's executive producer is Danny Miller. Our technical director and engineer is Audrey Bentham.

David Bianculli is a professor of television studies at Rowan University. He reviewed the new Netflix series American Primeval. Fresh Air's executive producer is Danny Miller. Our technical director and engineer is Audrey Bentham.

Our interviews and reviews are produced and edited by Phyllis Myers, Roberta Shorrock, Anne-Marie Baldonado, Sam Brigger, Lauren Krenzel, Teresa Madden, Monique Nazareth, Susan Yakundi, and Anna Bauman. Our digital media producer is Molly C.V. Nesper. Thea Chaloner directed today's show. With Terry Gross, I'm Tanya Mosley.

Our interviews and reviews are produced and edited by Phyllis Myers, Roberta Shorrock, Anne-Marie Baldonado, Sam Brigger, Lauren Krenzel, Teresa Madden, Monique Nazareth, Susan Yakundi, and Anna Bauman. Our digital media producer is Molly C.V. Nesper. Thea Chaloner directed today's show. With Terry Gross, I'm Tanya Mosley.

Our interviews and reviews are produced and edited by Phyllis Myers, Roberta Shorrock, Anne-Marie Baldonado, Sam Brigger, Lauren Krenzel, Teresa Madden, Monique Nazareth, Susan Yakundi, and Anna Bauman. Our digital media producer is Molly C.V. Nesper. Thea Chaloner directed today's show. With Terry Gross, I'm Tanya Mosley.