Tanya Mosley

How did it feel for you to have them receive it?

How did it feel for you to have them receive it?

For a span of time, you actually had museums that... were resistant to showing your work. And you believe that it had to do not with the subject matter, but how your subject matter was presented, like how you were presenting the Black body. Can you say more about that?

For a span of time, you actually had museums that... were resistant to showing your work. And you believe that it had to do not with the subject matter, but how your subject matter was presented, like how you were presenting the Black body. Can you say more about that?

For a span of time, you actually had museums that... were resistant to showing your work. And you believe that it had to do not with the subject matter, but how your subject matter was presented, like how you were presenting the Black body. Can you say more about that?

Trauma or I think you've said like servitude or entertainment.

Trauma or I think you've said like servitude or entertainment.

Trauma or I think you've said like servitude or entertainment.

I found this to be like an interesting idea when you brought this up because it was something that I hadn't thought about when you said this. I thought, well, I've seen lots of art where there are black bodies, nude black bodies.

I found this to be like an interesting idea when you brought this up because it was something that I hadn't thought about when you said this. I thought, well, I've seen lots of art where there are black bodies, nude black bodies.

I found this to be like an interesting idea when you brought this up because it was something that I hadn't thought about when you said this. I thought, well, I've seen lots of art where there are black bodies, nude black bodies.

But what's different about yours, once I reflected on what you're saying, is that – so, for instance, there's a painting of a black woman who's nude and she's leaning back in a chair. Right. Like people can interpret that as sexual, but it's not sexual.

But what's different about yours, once I reflected on what you're saying, is that – so, for instance, there's a painting of a black woman who's nude and she's leaning back in a chair. Right. Like people can interpret that as sexual, but it's not sexual.

But what's different about yours, once I reflected on what you're saying, is that – so, for instance, there's a painting of a black woman who's nude and she's leaning back in a chair. Right. Like people can interpret that as sexual, but it's not sexual.

It's just a body leaning back on a chair. And it's also not performative in the entertainment sense either. It just is.

It's just a body leaning back on a chair. And it's also not performative in the entertainment sense either. It just is.

It's just a body leaning back on a chair. And it's also not performative in the entertainment sense either. It just is.

Because you're right, because many of your subjects are looking right at you, like straight out at you.

Because you're right, because many of your subjects are looking right at you, like straight out at you.

Because you're right, because many of your subjects are looking right at you, like straight out at you.