Tanya Mosley

Does that mean like in a literal sense, like you're carrying on the script with you? In a literal sense.

in the same way that bernice is haunted and and the family is haunted by sutter it's um it's on you uh until you're until you're not with it anymore and it takes time to release that too oh i can imagine because you all have wrapped from this um production a while ago you you've now done probably many more productions since then but just a few yeah it takes you a

in the same way that bernice is haunted and and the family is haunted by sutter it's um it's on you uh until you're until you're not with it anymore and it takes time to release that too oh i can imagine because you all have wrapped from this um production a while ago you you've now done probably many more productions since then but just a few yeah it takes you a

in the same way that bernice is haunted and and the family is haunted by sutter it's um it's on you uh until you're until you're not with it anymore and it takes time to release that too oh i can imagine because you all have wrapped from this um production a while ago you you've now done probably many more productions since then but just a few yeah it takes you a

to let it come off you, to truly exit from the work.

to let it come off you, to truly exit from the work.

to let it come off you, to truly exit from the work.

You know, Danielle, everyone who has ever worked with you, including director Malcolm Washington, he calls you a physical actor. And I was trying to figure out what that meant. I think I understand it in the context of theater. There's so much physicality there. And it's very evident in watching you in all of your work. Like, you convey so much meaning with your eyes.

You know, Danielle, everyone who has ever worked with you, including director Malcolm Washington, he calls you a physical actor. And I was trying to figure out what that meant. I think I understand it in the context of theater. There's so much physicality there. And it's very evident in watching you in all of your work. Like, you convey so much meaning with your eyes.

You know, Danielle, everyone who has ever worked with you, including director Malcolm Washington, he calls you a physical actor. And I was trying to figure out what that meant. I think I understand it in the context of theater. There's so much physicality there. And it's very evident in watching you in all of your work. Like, you convey so much meaning with your eyes.

But what does it mean physically? For you, when you hear that you're a physical actor, what does that mean?

But what does it mean physically? For you, when you hear that you're a physical actor, what does that mean?

But what does it mean physically? For you, when you hear that you're a physical actor, what does that mean?

You started off as a dancer as a young girl.

You started off as a dancer as a young girl.

You started off as a dancer as a young girl.

Can you take me to that moment when you realized, when you decided, I need to act as a career? Because you were on the academic track. So you were a dancer as a young child, moved into theater. It was always something you did and loved to do, but you never really saw it as a career. You went to school, got two degrees, teaching elementary school, and then having this... Okay. Three. Yeah.

Can you take me to that moment when you realized, when you decided, I need to act as a career? Because you were on the academic track. So you were a dancer as a young child, moved into theater. It was always something you did and loved to do, but you never really saw it as a career. You went to school, got two degrees, teaching elementary school, and then having this... Okay. Three. Yeah.

Can you take me to that moment when you realized, when you decided, I need to act as a career? Because you were on the academic track. So you were a dancer as a young child, moved into theater. It was always something you did and loved to do, but you never really saw it as a career. You went to school, got two degrees, teaching elementary school, and then having this... Okay. Three. Yeah.

And then teaching. Sorry. Don't want to leave out that third one. No, I'm laughing at myself.