Taylor Kitsch

I'm going to fucking put him down.

Fuck this.

The beauty of Ben too in this is he's accountable for it.

Like, I'll take it.

Take my trident then.

I'd do it all over again, which is a beautiful thing.

And I think he does.

Like, it's a very... It's an emotional reaction that, you know...

phrase his life and the other character Rafe's character he gets his trident taken but it's that's one thing we were talking about earlier I'm just like it's so fucking gray and in these really split decision moments that you have and these guys aren't fucking robots out there it's like they're emotional they're fucking trained like better than anybody but at times they have to make these decisions and

that is like okay you're gonna put those girls on the black market or sell them or put them in the sex trade you don't get to live anymore i'm gonna do that but that's a beautiful thing too yeah and people can relate to it because totally if you were in that scenario what would you do and most people would like to believe that yes you're not going to live anymore yes exactly we have these talks on set all the time you know american primeval

We can romanticize the 1850s, or at least I did at the beginning of, like, this guy's a fucking mountain man.

This is sick.

Like, he's a motherfucker.

Like, if you see me on the river in 1852 and you're like, I want your jacket.

you're gonna just come up and kill me and take my jacket.

Like that's how fucked up the 1800s were back then, lawless.

And so we started shooting and I was like, we're shooting at 10,000 feet up there and you're cold and we're still spoiled, obviously.

Your trailer's 50 feet away, but it's like,

Fuck this.

I'm like, there's nothing in me that would want to be in the 1850s.