Tilda Swinton (as Martha)

And she was the first filmmaker I worked with on her student film in 1986. And we made the souvenir films together with my own daughter and then The Eternal Daughter, where I play both the mother and the daughter. So that was one blessing in the heart of that experience. And that was Joanna.

And she was the first filmmaker I worked with on her student film in 1986. And we made the souvenir films together with my own daughter and then The Eternal Daughter, where I play both the mother and the daughter. So that was one blessing in the heart of that experience. And that was Joanna.

And she was the first filmmaker I worked with on her student film in 1986. And we made the souvenir films together with my own daughter and then The Eternal Daughter, where I play both the mother and the daughter. So that was one blessing in the heart of that experience. And that was Joanna.

Thank you, Terry, and for everything you do. It's such a breath of fresh air.

Thank you, Terry, and for everything you do. It's such a breath of fresh air.

Thank you, Terry, and for everything you do. It's such a breath of fresh air.

And then round the corner with that dog. Got it dressed up in a red coat and green booties. Why's the dog got on a coat? It's got fur in it. Must be sweating under there, stinking. That's cruelty to animals, that is. Putting it under all that plastic. I've got a mind to report him to the NSPCG or whatever they call them. And her over there with that fat baby.

And then round the corner with that dog. Got it dressed up in a red coat and green booties. Why's the dog got on a coat? It's got fur in it. Must be sweating under there, stinking. That's cruelty to animals, that is. Putting it under all that plastic. I've got a mind to report him to the NSPCG or whatever they call them. And her over there with that fat baby.

And then round the corner with that dog. Got it dressed up in a red coat and green booties. Why's the dog got on a coat? It's got fur in it. Must be sweating under there, stinking. That's cruelty to animals, that is. Putting it under all that plastic. I've got a mind to report him to the NSPCG or whatever they call them. And her over there with that fat baby.

Cold, cold, cold, and she's walking up and down the street with nothing but a big pink bow on its bald head so everybody can tell it's a girl. Like I care. Parading it around in the little outfit. Not dressed for the weather. Nah, with pockets. What's a baby got pockets for? What's it going to keep in its pocket? A knife? It's ridiculous.

Cold, cold, cold, and she's walking up and down the street with nothing but a big pink bow on its bald head so everybody can tell it's a girl. Like I care. Parading it around in the little outfit. Not dressed for the weather. Nah, with pockets. What's a baby got pockets for? What's it going to keep in its pocket? A knife? It's ridiculous.

Cold, cold, cold, and she's walking up and down the street with nothing but a big pink bow on its bald head so everybody can tell it's a girl. Like I care. Parading it around in the little outfit. Not dressed for the weather. Nah, with pockets. What's a baby got pockets for? What's it going to keep in its pocket? A knife? It's ridiculous.

Thank you so much, Terry. It's such a pleasure to be here and Happy New Year to everybody.

Thank you so much, Terry. It's such a pleasure to be here and Happy New Year to everybody.

Thank you so much, Terry. It's such a pleasure to be here and Happy New Year to everybody.

Absolutely. It's an incredibly personal and resonant film for me. And when Pedro showed me the screenplay, I was so grateful to him, not only because it reflects so many conversations that he and I have had over the years.

Absolutely. It's an incredibly personal and resonant film for me. And when Pedro showed me the screenplay, I was so grateful to him, not only because it reflects so many conversations that he and I have had over the years.

Absolutely. It's an incredibly personal and resonant film for me. And when Pedro showed me the screenplay, I was so grateful to him, not only because it reflects so many conversations that he and I have had over the years.

the time that we've been friends but also very much my experience of the last 15 years supporting and bearing witness to loved ones who've been dismounting as I like to think of it it's a great opportunity to place that witness up on a big screen for people, and with a kind of clear-eyedness, which I think is always emblematic of Almodovar's work.

the time that we've been friends but also very much my experience of the last 15 years supporting and bearing witness to loved ones who've been dismounting as I like to think of it it's a great opportunity to place that witness up on a big screen for people, and with a kind of clear-eyedness, which I think is always emblematic of Almodovar's work.