Tina Fey

And it's hard to—once you get to stop, it's hard to go back. Like, I've— Worked on a couple things. I did a little small part on this show that Steve Martin and Marty Short have. And it was that thing of like, and your pickup is 510. And you're like, oh, yeah, that used to be every day.

Especially for ladies because the hair and makeup.

Especially for ladies because the hair and makeup.

Especially for ladies because the hair and makeup.

I do like to go to an office.

I do like to go to an office.

I do like to go to an office.

I wonder, I so wonder, it's like that thing of, you know, the improv training, right? You go back to it and it's like, when do you enter a scene? This is the trick, the thing that trips people up. Does anyone remember, like, when are you supposed to enter a scene? And the answer is when you're needed. It's the only time you're supposed to enter.

I wonder, I so wonder, it's like that thing of, you know, the improv training, right? You go back to it and it's like, when do you enter a scene? This is the trick, the thing that trips people up. Does anyone remember, like, when are you supposed to enter a scene? And the answer is when you're needed. It's the only time you're supposed to enter.

I wonder, I so wonder, it's like that thing of, you know, the improv training, right? You go back to it and it's like, when do you enter a scene? This is the trick, the thing that trips people up. Does anyone remember, like, when are you supposed to enter a scene? And the answer is when you're needed. It's the only time you're supposed to enter.

You're not supposed to enter because you have a funny idea. You're not supposed to enter because it's going well and you want a piece of it.

You're not supposed to enter because you have a funny idea. You're not supposed to enter because it's going well and you want a piece of it.

You're not supposed to enter because you have a funny idea. You're not supposed to enter because it's going well and you want a piece of it.

Oh, yeah. I want to see a couple places, but I don't need to see everywhere. I know I'm increasingly just a homebody. You know what I wish one of us should write is like someone should try to be Neil Simon, right? Like someone should write a play.

Oh, yeah. I want to see a couple places, but I don't need to see everywhere. I know I'm increasingly just a homebody. You know what I wish one of us should write is like someone should try to be Neil Simon, right? Like someone should write a play.

Oh, yeah. I want to see a couple places, but I don't need to see everywhere. I know I'm increasingly just a homebody. You know what I wish one of us should write is like someone should try to be Neil Simon, right? Like someone should write a play.

As if that's easy to do. But like to write a comedy, a hard comedy, because I'll tell you what, I go to these Broadway plays and what passes for a joke, Sean, is like mentioning Brooklyn as a joke.

As if that's easy to do. But like to write a comedy, a hard comedy, because I'll tell you what, I go to these Broadway plays and what passes for a joke, Sean, is like mentioning Brooklyn as a joke.

As if that's easy to do. But like to write a comedy, a hard comedy, because I'll tell you what, I go to these Broadway plays and what passes for a joke, Sean, is like mentioning Brooklyn as a joke.

Yeah, California Suite. Goodbye Girl is one I like.