Tom Hanks

Right. Yes. And I did Forrest Gump with Bob. I did The Polar Express with Bob. I did Castaway with Bob. And I did Pinocchio with Bob. I played Geppetto. Thank you. And while we were doing that, I would say, you know, we had seen this movie. He had talked about this movie a long time ago. We got time to talk about this stuff, right? We don't have to hurry through this. No.

He had talked about this movie that he had seen, and he said, I guess the most amazing thing last night, I couldn't figure out how they got this shot.

He had talked about this movie that he had seen, and he said, I guess the most amazing thing last night, I couldn't figure out how they got this shot.

He had talked about this movie that he had seen, and he said, I guess the most amazing thing last night, I couldn't figure out how they got this shot.

The name of the movie was The Truffle Hunters. It's a great documentary. Wow. I don't know it. It's fascinating. It's about essentially the relationship between the people who hunt out truffles and the dogs that find the truffles for them. And then it's examination of also the sociologic, the business of truffle and also the people that do it. And a lot of the movie was shot.

The name of the movie was The Truffle Hunters. It's a great documentary. Wow. I don't know it. It's fascinating. It's about essentially the relationship between the people who hunt out truffles and the dogs that find the truffles for them. And then it's examination of also the sociologic, the business of truffle and also the people that do it. And a lot of the movie was shot.

The name of the movie was The Truffle Hunters. It's a great documentary. Wow. I don't know it. It's fascinating. It's about essentially the relationship between the people who hunt out truffles and the dogs that find the truffles for them. And then it's examination of also the sociologic, the business of truffle and also the people that do it. And a lot of the movie was shot.

From a standard, what we call static POV, the camera never moves. And yet the scene will go on for 8, 9, 12 minutes. And I was talking about it because I ended up saying, I said, God, there was some stuff in there that was the most evocative movie making I've ever seen. And it was a documentary. There was no music. There was no score. It was just people behaving. And I was fascinated.

From a standard, what we call static POV, the camera never moves. And yet the scene will go on for 8, 9, 12 minutes. And I was talking about it because I ended up saying, I said, God, there was some stuff in there that was the most evocative movie making I've ever seen. And it was a documentary. There was no music. There was no score. It was just people behaving. And I was fascinated.

From a standard, what we call static POV, the camera never moves. And yet the scene will go on for 8, 9, 12 minutes. And I was talking about it because I ended up saying, I said, God, there was some stuff in there that was the most evocative movie making I've ever seen. And it was a documentary. There was no music. There was no score. It was just people behaving. And I was fascinated.

I wonder, Bob, I wonder if you could do that in a feature film. And he looks at me and he says, buddy, you should ask that, Tom. Then he has the screenplay that he wrote with Eric, Eric Roth, who did, he did Gumpo with us as well. And I said, you need to read this. And then he also handed me the graphic novel by Richard, I can't remember what his name is.

I wonder, Bob, I wonder if you could do that in a feature film. And he looks at me and he says, buddy, you should ask that, Tom. Then he has the screenplay that he wrote with Eric, Eric Roth, who did, he did Gumpo with us as well. And I said, you need to read this. And then he also handed me the graphic novel by Richard, I can't remember what his name is.

I wonder, Bob, I wonder if you could do that in a feature film. And he looks at me and he says, buddy, you should ask that, Tom. Then he has the screenplay that he wrote with Eric, Eric Roth, who did, he did Gumpo with us as well. And I said, you need to read this. And then he also handed me the graphic novel by Richard, I can't remember what his name is.

I don't know his last name.

I don't know his last name.

I don't know his last name.

What did I call those people who write about movies?

What did I call those people who write about movies?

What did I call those people who write about movies?

Don't make me say it again. But then he gave me that. And honestly, I had to read the graphic novel about three times in order to figure out how it was going to translate to this thing. And then when I got it, I literally said, ow, my God, this is a deep throat, baby.