Tom Hanks

was us in the deepfake technology. So on one monitor, I'm a 67-year-old man, you know, pretending he's in high school. Yeah. And on the other monitor, I'm 17 years old. That's unbelievable.

was us in the deepfake technology. So on one monitor, I'm a 67-year-old man, you know, pretending he's in high school. Yeah. And on the other monitor, I'm 17 years old. That's unbelievable.

was us in the deepfake technology. So on one monitor, I'm a 67-year-old man, you know, pretending he's in high school. Yeah. And on the other monitor, I'm 17 years old. That's unbelievable.

Are you prepared for that experience? I've seen just enough of it. And seeing me at that age, it has finally answered the question for me, which is no wonder I never got laid.

Are you prepared for that experience? I've seen just enough of it. And seeing me at that age, it has finally answered the question for me, which is no wonder I never got laid.

Are you prepared for that experience? I've seen just enough of it. And seeing me at that age, it has finally answered the question for me, which is no wonder I never got laid.

So what we did actually have to examine this probably more than you ever do on a movie because we had to literally go right. And we had technicians that were looking at our skin and stuff like that. But we also had to look at the timing and the cadence of what it is, because there is I don't know what the actual name of it, but there is there is a factor. I can't remember what it's called.

So what we did actually have to examine this probably more than you ever do on a movie because we had to literally go right. And we had technicians that were looking at our skin and stuff like that. But we also had to look at the timing and the cadence of what it is, because there is I don't know what the actual name of it, but there is there is a factor. I can't remember what it's called.

So what we did actually have to examine this probably more than you ever do on a movie because we had to literally go right. And we had technicians that were looking at our skin and stuff like that. But we also had to look at the timing and the cadence of what it is, because there is I don't know what the actual name of it, but there is there is a factor. I can't remember what it's called.

We thought that we were speaking at a very realistic cadence and then we would go watch a playback. And it was as slow as molasses. It just took forever. Bob would say, it's like the cinematic time slip. It seems like it's fast, but it plays in real time. So that's one of the things we discovered about it that didn't make it any more fun to sit there and look at ourselves dressed up as we were.

We thought that we were speaking at a very realistic cadence and then we would go watch a playback. And it was as slow as molasses. It just took forever. Bob would say, it's like the cinematic time slip. It seems like it's fast, but it plays in real time. So that's one of the things we discovered about it that didn't make it any more fun to sit there and look at ourselves dressed up as we were.

We thought that we were speaking at a very realistic cadence and then we would go watch a playback. And it was as slow as molasses. It just took forever. Bob would say, it's like the cinematic time slip. It seems like it's fast, but it plays in real time. So that's one of the things we discovered about it that didn't make it any more fun to sit there and look at ourselves dressed up as we were.

Some are a little, you know, some, I guess, are.

Some are a little, you know, some, I guess, are.

Some are a little, you know, some, I guess, are.

On every movie I've done, I think I've worked with Stephen five times. Let's see, Ryan and The Terminal and Catch Me If You Can. Bridge of Spies.

On every movie I've done, I think I've worked with Stephen five times. Let's see, Ryan and The Terminal and Catch Me If You Can. Bridge of Spies.

On every movie I've done, I think I've worked with Stephen five times. Let's see, Ryan and The Terminal and Catch Me If You Can. Bridge of Spies.

Is there another one in there? I can't recall. Is there another one in there? Um, and he always does this thing. I, I wake up and I see, you know, uh, Steven uses the screenplays of Steven's movies are the most basic blueprints. They are not, uh, they're not the Rosetta stones. They are not like set down.

Is there another one in there? I can't recall. Is there another one in there? Um, and he always does this thing. I, I wake up and I see, you know, uh, Steven uses the screenplays of Steven's movies are the most basic blueprints. They are not, uh, they're not the Rosetta stones. They are not like set down.