Trevor Collins

Obviously, it's very, very gruesome.

But the idea here that there's this gas that they want to experiment with.

And now suddenly the people inside are almost addicted to this gas.

They have wounds that should be fatal and they're eating themselves.

But like they're not necessarily dying yet, but they also haven't lose their strength yet.

It's starting to cross into the realm of like zombies.

But yeah, I can definitely see why they were like, let's make this a World War Two Russian top secret program about a mysterious gasp.

Yeah.

Totally.

Yeah, it's definitely born out of the conspiracies of mid-century government projects.

What could be happening?

But man, like, it's so interesting because this is just like, we made a gas.

We don't know even what it is.

Let's experiment with it on captives.

And then they're like, they're so dedicated to ending this.

They're like horrified of falling asleep.

But then now they're like addicted to this gas.

A lot of mysteries set up here in the first half.

But let's see how it ends.

Their surviving three test subjects were heavily restrained and moved to the medical facility, the two with intact vocal cords continuously begging for the gas, demanding to be kept awake.