Unknown Speaker 2

Ja. Honestly, I got more mad than anything because it goes from taking these characters we like and the setting we like and stuff, and then immediately just like, funny joke out of it. When you shoot at the king, don't miss.

And there's probably a world where a sequel could have worked, but I don't, I honestly like, I mean, even making the ending of the first one with its goal was so impactful and leaving it as an unanswered evil in the world, ending it with, because the last lines of part four is the letter from Kimber's mother. Strong, powerful, let it lie. It does not need to be a hero fantasy.

And there's probably a world where a sequel could have worked, but I don't, I honestly like, I mean, even making the ending of the first one with its goal was so impactful and leaving it as an unanswered evil in the world, ending it with, because the last lines of part four is the letter from Kimber's mother. Strong, powerful, let it lie. It does not need to be a hero fantasy.

And there's probably a world where a sequel could have worked, but I don't, I honestly like, I mean, even making the ending of the first one with its goal was so impactful and leaving it as an unanswered evil in the world, ending it with, because the last lines of part four is the letter from Kimber's mother. Strong, powerful, let it lie. It does not need to be a hero fantasy.

And we were going to read it if it was one, which is what I expected it to be, to be like, you know, fun for the audience. People at home suggested it. But it was, it was like, yeah, but also what if I make the first one? What if we make the first one a joke a little bit? And then like, you know, it's like, whatever.

And we were going to read it if it was one, which is what I expected it to be, to be like, you know, fun for the audience. People at home suggested it. But it was, it was like, yeah, but also what if I make the first one? What if we make the first one a joke a little bit? And then like, you know, it's like, whatever.

And we were going to read it if it was one, which is what I expected it to be, to be like, you know, fun for the audience. People at home suggested it. But it was, it was like, yeah, but also what if I make the first one? What if we make the first one a joke a little bit? And then like, you know, it's like, whatever.

Which, you know, once again... I never read the first one and I was like, well, the story wasn't really impactful because they didn't save the day. It's like, that wasn't the point of the first Boroska series.

Which, you know, once again... I never read the first one and I was like, well, the story wasn't really impactful because they didn't save the day. It's like, that wasn't the point of the first Boroska series.

Which, you know, once again... I never read the first one and I was like, well, the story wasn't really impactful because they didn't save the day. It's like, that wasn't the point of the first Boroska series.

One of the most powerful film endings I can remember is The Mist. Watching that when I was younger. Pretty funny. It is rough, just like they all die. Yeah. And he gets out of the car and stuff like that. Zero resolution, character development lost.

One of the most powerful film endings I can remember is The Mist. Watching that when I was younger. Pretty funny. It is rough, just like they all die. Yeah. And he gets out of the car and stuff like that. Zero resolution, character development lost.

One of the most powerful film endings I can remember is The Mist. Watching that when I was younger. Pretty funny. It is rough, just like they all die. Yeah. And he gets out of the car and stuff like that. Zero resolution, character development lost.

It's like that, what's that music?

It's like that, what's that music?

It's like that, what's that music?

Right? To be completely honest, you know, Hunter doesn't feel this way, I feel this way. I think that's juvenile. Ich denke, wenn du eine Geschichte liest, die sich um die echte Welt handelt, wiederum nicht die echte Welt von Borowska, aber Themes von Menschenverbrechen und so, etwas, das so schwer ist, und du liest diese Geschichte und du denkst, aber ich will am Ende gut fühlen.

Right? To be completely honest, you know, Hunter doesn't feel this way, I feel this way. I think that's juvenile. Ich denke, wenn du eine Geschichte liest, die sich um die echte Welt handelt, wiederum nicht die echte Welt von Borowska, aber Themes von Menschenverbrechen und so, etwas, das so schwer ist, und du liest diese Geschichte und du denkst, aber ich will am Ende gut fühlen.

Right? To be completely honest, you know, Hunter doesn't feel this way, I feel this way. I think that's juvenile. Ich denke, wenn du eine Geschichte liest, die sich um die echte Welt handelt, wiederum nicht die echte Welt von Borowska, aber Themes von Menschenverbrechen und so, etwas, das so schwer ist, und du liest diese Geschichte und du denkst, aber ich will am Ende gut fühlen.

Es ist wie, naja, dann liest du nicht. Warum liest du eine Geschichte über diese Dinge? Weil das nicht so funktioniert. The point is like people that come out of it, about you have these stories of humanity or you have these individual characters that are able to rise above the evil of the world. It's not that every story that has this mass evil in it is, and then the good guys win.