Vicky Osterweil

So like Aftermath, which like does, I think the video games and there's 404 Media who does tech. There's just like all these different sort of sites doing this sort of thing. And I think in some ways, all of us are sort of collectively reinventing the newspapers that have been sort of stolen and destroyed by capital, you know, in a big way. Yeah. So there's sort of two goals that we have.

And I think Carla speaks really eloquently to some of this, but One of which is to make writing radical culture work, beautiful, joyful, fun, and also critical like movement work to make it sustainable for us and for anyone else who wants to share in this project who we can sort of expand towards.

And I think Carla speaks really eloquently to some of this, but One of which is to make writing radical culture work, beautiful, joyful, fun, and also critical like movement work to make it sustainable for us and for anyone else who wants to share in this project who we can sort of expand towards.

And I think Carla speaks really eloquently to some of this, but One of which is to make writing radical culture work, beautiful, joyful, fun, and also critical like movement work to make it sustainable for us and for anyone else who wants to share in this project who we can sort of expand towards.

But also to make it easier for people who are reading to have access to these things, like in one place, instead of having to, you know, decide who they care for and who they like in order to sort of, you know, do that math of like, who can I afford to subscribe to?

But also to make it easier for people who are reading to have access to these things, like in one place, instead of having to, you know, decide who they care for and who they like in order to sort of, you know, do that math of like, who can I afford to subscribe to?

But also to make it easier for people who are reading to have access to these things, like in one place, instead of having to, you know, decide who they care for and who they like in order to sort of, you know, do that math of like, who can I afford to subscribe to?

Like, I personally, I don't know if this is true for everyone else, but personally, I usually have about two or three people I can afford to subscribe to a month and then switch it out just like on a very arbitrary basis, you know, or something like that. That was very technical and financially focused. But what we're really excited to do mostly is support each other's work.

Like, I personally, I don't know if this is true for everyone else, but personally, I usually have about two or three people I can afford to subscribe to a month and then switch it out just like on a very arbitrary basis, you know, or something like that. That was very technical and financially focused. But what we're really excited to do mostly is support each other's work.

Like, I personally, I don't know if this is true for everyone else, but personally, I usually have about two or three people I can afford to subscribe to a month and then switch it out just like on a very arbitrary basis, you know, or something like that. That was very technical and financially focused. But what we're really excited to do mostly is support each other's work.

Because I think we all really love and admire each other's work and have for a long time. And this is just this really exciting opportunity. Instead of my writing just being for me, it's for Shuli and Carla and Danny now. And that just makes it feel more inspiring and exciting as well as a collective process.

Because I think we all really love and admire each other's work and have for a long time. And this is just this really exciting opportunity. Instead of my writing just being for me, it's for Shuli and Carla and Danny now. And that just makes it feel more inspiring and exciting as well as a collective process.

Because I think we all really love and admire each other's work and have for a long time. And this is just this really exciting opportunity. Instead of my writing just being for me, it's for Shuli and Carla and Danny now. And that just makes it feel more inspiring and exciting as well as a collective process.

Yeah. And even the projects that have sustained, that have survived, which are all really awesome, you know, like, and exciting, like very few of them have offered real sustainability, like on a professional level. And like, I've been publishing like, quote unquote, professionally.

Yeah. And even the projects that have sustained, that have survived, which are all really awesome, you know, like, and exciting, like very few of them have offered real sustainability, like on a professional level. And like, I've been publishing like, quote unquote, professionally.

Yeah. And even the projects that have sustained, that have survived, which are all really awesome, you know, like, and exciting, like very few of them have offered real sustainability, like on a professional level. And like, I've been publishing like, quote unquote, professionally.

for 15 years and like i'm the like newest writer on the scene like from our crew basically like we're incredibly experienced and all of us have books out all of us have edited volumes all of us have like podcasts and like are people who i like really respect whose names i think are big and important in in the world of theory and activism and like in the anglophone world especially and none of us can sustain ourselves as writers as such because of the way that

for 15 years and like i'm the like newest writer on the scene like from our crew basically like we're incredibly experienced and all of us have books out all of us have edited volumes all of us have like podcasts and like are people who i like really respect whose names i think are big and important in in the world of theory and activism and like in the anglophone world especially and none of us can sustain ourselves as writers as such because of the way that

for 15 years and like i'm the like newest writer on the scene like from our crew basically like we're incredibly experienced and all of us have books out all of us have edited volumes all of us have like podcasts and like are people who i like really respect whose names i think are big and important in in the world of theory and activism and like in the anglophone world especially and none of us can sustain ourselves as writers as such because of the way that

Just, you know, both politically, but also just like the way the market has come down.