Victor Riparbelli

So if there isn't a fingerprint for the content, if we don't know where it's from, that should be the thing that sticks out, not the kind of verified sign on a celebrity's page. Does that make sense?

So if there isn't a fingerprint for the content, if we don't know where it's from, that should be the thing that sticks out, not the kind of verified sign on a celebrity's page. Does that make sense?

No, because I think right now, is it real or is it fake? We're already in a world where most content that we consume today is to some extent fake, right? Most pictures on Instagram have been touched up in some way, shape or form. When it leaves the sensor, they already do color corrections and a whole bunch of other things. And so I think this line will just increasingly blur.

No, because I think right now, is it real or is it fake? We're already in a world where most content that we consume today is to some extent fake, right? Most pictures on Instagram have been touched up in some way, shape or form. When it leaves the sensor, they already do color corrections and a whole bunch of other things. And so I think this line will just increasingly blur.

No, because I think right now, is it real or is it fake? We're already in a world where most content that we consume today is to some extent fake, right? Most pictures on Instagram have been touched up in some way, shape or form. When it leaves the sensor, they already do color corrections and a whole bunch of other things. And so I think this line will just increasingly blur.

And I think it'll be less about how you made something and more about the content itself. You could make a video of you talking about something and in a couple of years, no one will be able to tell if it's actually real or not. But it won't really matter that much. What matters is that you made it, right?

And I think it'll be less about how you made something and more about the content itself. You could make a video of you talking about something and in a couple of years, no one will be able to tell if it's actually real or not. But it won't really matter that much. What matters is that you made it, right?

And I think it'll be less about how you made something and more about the content itself. You could make a video of you talking about something and in a couple of years, no one will be able to tell if it's actually real or not. But it won't really matter that much. What matters is that you made it, right?

And that whatever you say in that video is something that you actually wanted to say more than how you made it. It's a bit like we don't care if content uses green screen today. We don't care that much if when you go to see a Hollywood film, right? I know that's fiction, but you don't care how it's made. You care if it's a good film or if it's a bad film. Yeah.

And that whatever you say in that video is something that you actually wanted to say more than how you made it. It's a bit like we don't care if content uses green screen today. We don't care that much if when you go to see a Hollywood film, right? I know that's fiction, but you don't care how it's made. You care if it's a good film or if it's a bad film. Yeah.

And that whatever you say in that video is something that you actually wanted to say more than how you made it. It's a bit like we don't care if content uses green screen today. We don't care that much if when you go to see a Hollywood film, right? I know that's fiction, but you don't care how it's made. You care if it's a good film or if it's a bad film. Yeah.

You should evaluate content based on the content itself. And in here, how it was produced certainly is a signal, but it's also a signal when it was produced, who produced it. Are you watching the original version? Are you watching an edited version of it? It's really hard, right?

You should evaluate content based on the content itself. And in here, how it was produced certainly is a signal, but it's also a signal when it was produced, who produced it. Are you watching the original version? Are you watching an edited version of it? It's really hard, right?

You should evaluate content based on the content itself. And in here, how it was produced certainly is a signal, but it's also a signal when it was produced, who produced it. Are you watching the original version? Are you watching an edited version of it? It's really hard, right?

It's not because it's like right around the corner, but you can imagine a world where you can begin to build a chain of like, where was content originally created? What happened to it since? Are you watching an edited version? Maybe you're watching a 25-second outtake from Harry's podcast show and you want to watch the full segment. Click here.

It's not because it's like right around the corner, but you can imagine a world where you can begin to build a chain of like, where was content originally created? What happened to it since? Are you watching an edited version? Maybe you're watching a 25-second outtake from Harry's podcast show and you want to watch the full segment. Click here.

It's not because it's like right around the corner, but you can imagine a world where you can begin to build a chain of like, where was content originally created? What happened to it since? Are you watching an edited version? Maybe you're watching a 25-second outtake from Harry's podcast show and you want to watch the full segment. Click here.

You can trace it back to actually watch the full episode. We can begin to build these kind of things. And the reason I mentioned Shazam is that Shazam exists because this was a commercial problem for essentially YouTube, right? Record companies were telling them, hey, people are uploading videos on YouTube, but they're using copyrighted music.

You can trace it back to actually watch the full episode. We can begin to build these kind of things. And the reason I mentioned Shazam is that Shazam exists because this was a commercial problem for essentially YouTube, right? Record companies were telling them, hey, people are uploading videos on YouTube, but they're using copyrighted music.

You can trace it back to actually watch the full episode. We can begin to build these kind of things. And the reason I mentioned Shazam is that Shazam exists because this was a commercial problem for essentially YouTube, right? Record companies were telling them, hey, people are uploading videos on YouTube, but they're using copyrighted music.