Walton Goggins

That's some writing.

Edie Patterson.

Oh, she can let her riff.

Do fucking...

Anything.

Adam can fucking do that.

Michaela Watkins can do that.

Corddry.

That's not my thing, but I understand what the story is and I understand, okay, these are five or six tangents that I can go down, turn yourself over to that and see kind of where that takes you.

But he realized that about me very early on, that it's the words on the page that is liberating to me.

Right, right, right.

And then we carried that into Righteous Gemstones.

I think I'll work with him for the rest of my life.

It is.

And no one writes an existential crisis the way that he does.

Wealth gives him permission, I think, to parody these people and to make them real simultaneously.

Because these situations do happen to people outside of this very specific economic kind of section of society that he explores.

This is his words, not mine.

If the first season was about money, the second season was about sex, this season is about religion.

It was everything that I had hoped it would be.