Warren Zyders

When it comes to Europe, Europe was a very observational crowd. They were very reserved. And that's just kind of their respectful way of showing like, I'm here, I'm listening to the music. And then at the end of the song, it was very much so like a golf clap, like they enjoyed it. To me, first time where I'm like, this is weird.

When it comes to Europe, Europe was a very observational crowd. They were very reserved. And that's just kind of their respectful way of showing like, I'm here, I'm listening to the music. And then at the end of the song, it was very much so like a golf clap, like they enjoyed it. To me, first time where I'm like, this is weird.

it is shit I'm like guys you're gonna have to give me a little bit more than that and you know I'd poke fun and whatever and I'd even like address the you know the fact like hey guys I know you guys are more of a reserved crowd like I know it's kind of how you guys do things over here but like

it is shit I'm like guys you're gonna have to give me a little bit more than that and you know I'd poke fun and whatever and I'd even like address the you know the fact like hey guys I know you guys are more of a reserved crowd like I know it's kind of how you guys do things over here but like

it is shit I'm like guys you're gonna have to give me a little bit more than that and you know I'd poke fun and whatever and I'd even like address the you know the fact like hey guys I know you guys are more of a reserved crowd like I know it's kind of how you guys do things over here but like

it's okay to let loose y'all like it's okay like this is a rock show this is not your your traditional country show where i'm going to stand in front of the microphone for an hour and a half play my guitar thank you guys i'm warren ziders catch you later no i'm going to run around i'm going to sing my ass off i'm going to give you a performance of a lifetime and i need you guys to give me something in return um to help continue to fuel that fire to get me through that hour and a half because it can't

it's okay to let loose y'all like it's okay like this is a rock show this is not your your traditional country show where i'm going to stand in front of the microphone for an hour and a half play my guitar thank you guys i'm warren ziders catch you later no i'm going to run around i'm going to sing my ass off i'm going to give you a performance of a lifetime and i need you guys to give me something in return um to help continue to fuel that fire to get me through that hour and a half because it can't

it's okay to let loose y'all like it's okay like this is a rock show this is not your your traditional country show where i'm going to stand in front of the microphone for an hour and a half play my guitar thank you guys i'm warren ziders catch you later no i'm going to run around i'm going to sing my ass off i'm going to give you a performance of a lifetime and i need you guys to give me something in return um to help continue to fuel that fire to get me through that hour and a half because it can't

Can't just be give, give, give, give, give. It's like, you got to give some back so that I have some fuel to keep going. So yeah, it was interesting. And then you got to the UK and they're like headbanging and they're losing their ever living mind. How do I put this in relation to sound and stuff like that? 120 decibels is where you start to have hearing loss.

Can't just be give, give, give, give, give. It's like, you got to give some back so that I have some fuel to keep going. So yeah, it was interesting. And then you got to the UK and they're like headbanging and they're losing their ever living mind. How do I put this in relation to sound and stuff like that? 120 decibels is where you start to have hearing loss.

Can't just be give, give, give, give, give. It's like, you got to give some back so that I have some fuel to keep going. So yeah, it was interesting. And then you got to the UK and they're like headbanging and they're losing their ever living mind. How do I put this in relation to sound and stuff like that? 120 decibels is where you start to have hearing loss.

There was crowds over in the UK that were hitting 115, like just screaming, manically, singing songs, screaming in between songs, just Is your head ringing on stage? Well, that's what the in-ears are for. But like I've taken, I've cracked ears before just to experience it. And then your ear starts ringing and you got suction that shit right back up. Cause it's just like, it's a lot.

There was crowds over in the UK that were hitting 115, like just screaming, manically, singing songs, screaming in between songs, just Is your head ringing on stage? Well, that's what the in-ears are for. But like I've taken, I've cracked ears before just to experience it. And then your ear starts ringing and you got suction that shit right back up. Cause it's just like, it's a lot.

There was crowds over in the UK that were hitting 115, like just screaming, manically, singing songs, screaming in between songs, just Is your head ringing on stage? Well, that's what the in-ears are for. But like I've taken, I've cracked ears before just to experience it. And then your ear starts ringing and you got suction that shit right back up. Cause it's just like, it's a lot.

So what do you, what do you hear on stage? Man, it is. So we wear in-ears and what you hear on stage is you're hearing the on stage mix. And then there's a front of house mix, what the crowd's hearing. On stage, we have a monitor engineer that's controlling my vocal and the guitars and the drums and everything. And we have our own mixes individualized to each of the players of whatever.

So what do you, what do you hear on stage? Man, it is. So we wear in-ears and what you hear on stage is you're hearing the on stage mix. And then there's a front of house mix, what the crowd's hearing. On stage, we have a monitor engineer that's controlling my vocal and the guitars and the drums and everything. And we have our own mixes individualized to each of the players of whatever.

So what do you, what do you hear on stage? Man, it is. So we wear in-ears and what you hear on stage is you're hearing the on stage mix. And then there's a front of house mix, what the crowd's hearing. On stage, we have a monitor engineer that's controlling my vocal and the guitars and the drums and everything. And we have our own mixes individualized to each of the players of whatever.

what we want. So it's like what works best for me is going to be different for what works best for my bass player or my guitar player because we all have our own nuances and we all have our own individual ears on what we prefer to hear throughout the duration of a show and what's going to give us the best performance. So, but for me, what I have is we call them crowd mics.

what we want. So it's like what works best for me is going to be different for what works best for my bass player or my guitar player because we all have our own nuances and we all have our own individual ears on what we prefer to hear throughout the duration of a show and what's going to give us the best performance. So, but for me, what I have is we call them crowd mics.

what we want. So it's like what works best for me is going to be different for what works best for my bass player or my guitar player because we all have our own nuances and we all have our own individual ears on what we prefer to hear throughout the duration of a show and what's going to give us the best performance. So, but for me, what I have is we call them crowd mics.