Wendy Fonseca

Oye.

Oye.

Depende cuánta gente hay en la fotografía. Yo creo que es mejor horizontal porque por lo general.

Depende cuánta gente hay en la fotografía. Yo creo que es mejor horizontal porque por lo general.

Vertical, maybe it would be like this, you want four people to come out and you want the tree to come out. Okay, like a retouch, yes, yes, yes. Then you have to, visually you have to see what I want to come out more in the photograph. And you already go to what style of photography I want.

Vertical, maybe it would be like this, you want four people to come out and you want the tree to come out. Okay, like a retouch, yes, yes, yes. Then you have to, visually you have to see what I want to come out more in the photograph. And you already go to what style of photography I want.

I want a photograph that comes out pure people and that we talk about the moment and I don't care about the stage. Or I want a photograph that people come out, but also that the little tree comes out because it looks beautiful to them. Okay. Then you start playing a little with the composition.

I want a photograph that comes out pure people and that we talk about the moment and I don't care about the stage. Or I want a photograph that people come out, but also that the little tree comes out because it looks beautiful to them. Okay. Then you start playing a little with the composition.

Otra vez, depende muchísimo la hora a la que están fotografiando. Si ustedes van a una comida, de día, a lo mejor busquen luz de ventana. Acerquen el platillo a una luz de ventana para que le entre una luz un poquito más suave. Si estás fotografiando de noche y otra vez nada más tienes la luz que está en el techo, te... Hay unos foquitos, ¿no? Exacto.

Otra vez, depende muchísimo la hora a la que están fotografiando. Si ustedes van a una comida, de día, a lo mejor busquen luz de ventana. Acerquen el platillo a una luz de ventana para que le entre una luz un poquito más suave. Si estás fotografiando de noche y otra vez nada más tienes la luz que está en el techo, te... Hay unos foquitos, ¿no? Exacto.

Llevar... A ver, tal vez no vas a cargar a la cena con tu luz LED, ¿ok? Pero le puedes pedir a alguien, ¿no? Y me prestas tu celular.

Llevar... A ver, tal vez no vas a cargar a la cena con tu luz LED, ¿ok? Pero le puedes pedir a alguien, ¿no? Y me prestas tu celular.

Y iluminas con la... Lámpara.

Y iluminas con la... Lámpara.

Lámpara de tu celular. Se convierte en una luz externa. Entonces iluminas el platillo que quieras fotografiar, ¿ok? Because if you have a light up on the ceiling, when you put your cell phone up, what's going to happen? It's going to create a shadow and you're not going to turn off the ceiling, the ceiling light for your photo.

Lámpara de tu celular. Se convierte en una luz externa. Entonces iluminas el platillo que quieras fotografiar, ¿ok? Because if you have a light up on the ceiling, when you put your cell phone up, what's going to happen? It's going to create a shadow and you're not going to turn off the ceiling, the ceiling light for your photo.

The warm light and the cold light, the phones what you have is that they come extremely intelligent. So it already detects you, then it already makes the white balance automatic. You no longer have to get involved in that because maybe someone says, I don't want to roll so much in white balance, I want my photo pretty and that's it, okay?

The warm light and the cold light, the phones what you have is that they come extremely intelligent. So it already detects you, then it already makes the white balance automatic. You no longer have to get involved in that because maybe someone says, I don't want to roll so much in white balance, I want my photo pretty and that's it, okay?

If you say, I do like to play a little more with white balance and make a warmer photo or a colder photo, it's a photo with more yellow environments and a photo with more blue environments. That's the white balance. You can already do it in post-production, you can already do it in editing so that you don't get into rolls since you put the settings.

If you say, I do like to play a little more with white balance and make a warmer photo or a colder photo, it's a photo with more yellow environments and a photo with more blue environments. That's the white balance. You can already do it in post-production, you can already do it in editing so that you don't get into rolls since you put the settings.