Wesley Morris

Yeah.

And is not afraid.

This is the first time he's actually done this, right?

Where he's wielded it.

But he can, I think the permission that he has to wield it in this way is that, you know, he's in the satire part of the movie, right?

Yeah.

His part of the movie is the joke half that meets the dangerous political half, right?

I mean, not that his side isn't political.

The bathroom sequence where she's planting the bomb?

Yeah, but I mean, I don't know.

I found that funny.

I, you know, I mean, I'm having a lot of conversations about this movie with, you know, the black women in my life.

And I think, you know, there's a lot of,

conversation about being, you know, disappointed in this movie, wanting better for the women in it.

Um, mostly that conversation is happening around Tiana Taylor, but you know, there's also an entire history of black women in

in American movies, just to leave it at that, that this film is correspondent with, but also contributing to the problem of in some way, goes some of the conversation.

And I think that one of the uncomfortable things is just, one of the uncomfortable things for some people I'm going to extrapolate here is,

is a problem of this chemistry question and how the two of them, that is real energy happening in those scenes.

Yeah.

And I don't know how they gave him the boner.