Wesley Morris

I think we're getting, we're going to have fewer and fewer of them.

But I think there's something about the A24s and Neons of the world that

being the interesting places where movies that even if people don't want to see them necessarily, they're not getting huge audiences.

They're doing, something is going on there culturally, right?

These are the movies that have their finger on something and sometimes they're hits.

And I think the studios, I think there are people at these movie studios who want to be a little bit conversant in the weird energy of this moment, right?

I think Weapons is also Warner Brothers.

I think that... I'm sort of curious about what the state of the horror movie is.

You should have Jason Blum come on at some point and think this through a little.

Because...

I don't know.

I think the Conjuring 4, that movie being a hit, was indicative of a love of that franchise.

But I think the second Megan movie didn't do that well.

And I don't know.

I think it really depends on the who and the what of the thing.

And Weapons, to me, was unconventional in that

You didn't really know what you were getting when you got there.

There was no star luring you to it.

That was a pure word of... I went and saw that movie, Bill, because people told me to see it.

I didn't go to a screening.