Wesley Morris

She takes a bite.

And we go from shot, reverse shot, cutaway, cutaway, cutaway, to a, like I would say, a master shot of the two of them facing each other in the booth.

And you can see in the background two women also having a meal, looking at Meg Ryan and

Right, right.

We've already had our release.

But he goes for it.

Oh, yeah.

Estelle Reiner...

is the person who delivers the line.

Perfection.

Perfection.

She looks kind of disgusted and repulsed, but it's like, I just need to see what this is all about.

It's as funny as it is because Rob Reiner keeps going, right?

And he understands there's still another joke in there somewhere.

I want to get all the jokes out.

The terrible thing about this death, a terrible thing about it, in terms of the millions of people who never met, didn't know Rob Reiner, but whose lives were touched by his work, is that the work was about the opposite of how he died.

And yet...

You know, the very moving aspect of this grisly tragedy is, I mean, from all reports, you know, the Reiners were determined to, like, help their son, right?

The ethos of the family life is the ethos of the filmmaking.

You know, sometimes to the movie's detriment because the movie didn't want to go to really dark places, right?