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Will Friedle

๐Ÿ‘ค Speaker
6047 total appearances

Appearances Over Time

Podcast Appearances

This movie is written by Josh Kagan, a writer whose career has included some really impressive young adult projects, starting with his first breakout hit, which we've talked about on this podcast before, and I got a little bit of shit for, Bandslam, which for Trivia Buffs was also David Bowie's last film.

Kagan also wrote the movie The Duff and would become a Disney go-to writing the Kim Possible live action movie, Upside Down Magic and Under Wraps 2. And in just a few months, we are going to be able to see his newest entry into the DCOM lexicon, Zombies 4, Dawn of the Vampires. Maybe we got to get Josh in the podcast, but here's the thing.

Kagan also wrote the movie The Duff and would become a Disney go-to writing the Kim Possible live action movie, Upside Down Magic and Under Wraps 2. And in just a few months, we are going to be able to see his newest entry into the DCOM lexicon, Zombies 4, Dawn of the Vampires. Maybe we got to get Josh in the podcast, but here's the thing.

Kagan also wrote the movie The Duff and would become a Disney go-to writing the Kim Possible live action movie, Upside Down Magic and Under Wraps 2. And in just a few months, we are going to be able to see his newest entry into the DCOM lexicon, Zombies 4, Dawn of the Vampires. Maybe we got to get Josh in the podcast, but here's the thing.

I, I love how we break up the movies that we do, but I'm really having trouble not hopping forward and watching some of the new descendants, some of the new zombies. I want to get to these things.

I, I love how we break up the movies that we do, but I'm really having trouble not hopping forward and watching some of the new descendants, some of the new zombies. I want to get to these things.

I, I love how we break up the movies that we do, but I'm really having trouble not hopping forward and watching some of the new descendants, some of the new zombies. I want to get to these things.

So we got to get Josh in the podcast though, because he's killing it. He also shares credit with Carly Steiner. And it's something that we also see a lot. She has no other writing credits. So maybe she was paired up with an established writer for her idea. Who knows? But this tends to happen a lot with DCOM.

So we got to get Josh in the podcast though, because he's killing it. He also shares credit with Carly Steiner. And it's something that we also see a lot. She has no other writing credits. So maybe she was paired up with an established writer for her idea. Who knows? But this tends to happen a lot with DCOM.

So we got to get Josh in the podcast though, because he's killing it. He also shares credit with Carly Steiner. And it's something that we also see a lot. She has no other writing credits. So maybe she was paired up with an established writer for her idea. Who knows? But this tends to happen a lot with DCOM.

She could have come in with a great idea and they just put her with a more established writer. I did that the first time I wrote a script for Thundercats. I'd never written an animated script before. So they put me with a much more established writer who taught me the process. Sure.

She could have come in with a great idea and they just put her with a more established writer. I did that the first time I wrote a script for Thundercats. I'd never written an animated script before. So they put me with a much more established writer who taught me the process. Sure.

She could have come in with a great idea and they just put her with a more established writer. I did that the first time I wrote a script for Thundercats. I'd never written an animated script before. So they put me with a much more established writer who taught me the process. Sure.

Okay, time to feel the bass through your body because it's time for spin. We open at Spirit of India, a restaurant where we meet Ria. She works at the family business as a waitress and is scrolling her phone looking for the best song to put on her dinner rush playlist. She picks the music is everything mix and turns it up.

Okay, time to feel the bass through your body because it's time for spin. We open at Spirit of India, a restaurant where we meet Ria. She works at the family business as a waitress and is scrolling her phone looking for the best song to put on her dinner rush playlist. She picks the music is everything mix and turns it up.

Okay, time to feel the bass through your body because it's time for spin. We open at Spirit of India, a restaurant where we meet Ria. She works at the family business as a waitress and is scrolling her phone looking for the best song to put on her dinner rush playlist. She picks the music is everything mix and turns it up.

As an Indian-influenced dance track plays throughout the dining room, she starts to get to work. It is a busy, busy place. We see shots of the menu, utensils being cleaned, and cooks very hard at work in the kitchen. Rhea weaves in and out, almost dancing her way through food deliveries, proving that she is a real pro at this.

As an Indian-influenced dance track plays throughout the dining room, she starts to get to work. It is a busy, busy place. We see shots of the menu, utensils being cleaned, and cooks very hard at work in the kitchen. Rhea weaves in and out, almost dancing her way through food deliveries, proving that she is a real pro at this.

As an Indian-influenced dance track plays throughout the dining room, she starts to get to work. It is a busy, busy place. We see shots of the menu, utensils being cleaned, and cooks very hard at work in the kitchen. Rhea weaves in and out, almost dancing her way through food deliveries, proving that she is a real pro at this.

This is where I was already dying in the movie because, I don't know about you, but Indian food is one of my favorite things ever, and I was just watching them make this food, salivating watching this movie. How did you feel?