Will Holzhauser

Thank you.

Thank you.

Thank you.

Thank you.

Thank you.

Okay.

Okay.

Okay.

That's right.

That's right.

That's right.

You're a very perceptive listener.

You're a very perceptive listener.

You're a very perceptive listener.

Yes, absolutely. And that's really, for me, that's almost the very beginning of my musical life. My interest in music is going to church as a kid. and hearing these hymns and feeling something stirring inside me that I couldn't describe. You know, feeling almost like a kind of truth or something that was a very direct experience and that I really couldn't put into words.

Yes, absolutely. And that's really, for me, that's almost the very beginning of my musical life. My interest in music is going to church as a kid. and hearing these hymns and feeling something stirring inside me that I couldn't describe. You know, feeling almost like a kind of truth or something that was a very direct experience and that I really couldn't put into words.

Yes, absolutely. And that's really, for me, that's almost the very beginning of my musical life. My interest in music is going to church as a kid. and hearing these hymns and feeling something stirring inside me that I couldn't describe. You know, feeling almost like a kind of truth or something that was a very direct experience and that I really couldn't put into words.

I think so. Yeah, it was, you know, clearly people coming together to be quiet and to think about serious things. My first music teacher was the artist in residence at our church, and he wrote jazz for the services. His name is Douglas Cook, and he wrote very beautiful, very dissonant music. meditative jazz that would be in the services.

I think so. Yeah, it was, you know, clearly people coming together to be quiet and to think about serious things. My first music teacher was the artist in residence at our church, and he wrote jazz for the services. His name is Douglas Cook, and he wrote very beautiful, very dissonant music. meditative jazz that would be in the services.

I think so. Yeah, it was, you know, clearly people coming together to be quiet and to think about serious things. My first music teacher was the artist in residence at our church, and he wrote jazz for the services. His name is Douglas Cook, and he wrote very beautiful, very dissonant music. meditative jazz that would be in the services.