Zoe Hay
๐ค SpeakerAppearances Over Time
Podcast Appearances
Absolutely not. I had a friend who recommended me for the pilot. And the word she said to me is, it's just a little family. It's like a period show. Part of it is a period show. It's just like a family drama. I was like, oh, this sounds so chill. Yeah, I'd come off of OJ with 40 principles. And I thought, oh, this will be great. Yeah.
Absolutely not. I had a friend who recommended me for the pilot. And the word she said to me is, it's just a little family. It's like a period show. Part of it is a period show. It's just like a family drama. I was like, oh, this sounds so chill. Yeah, I'd come off of OJ with 40 principles. And I thought, oh, this will be great. Yeah.
Absolutely not. I had a friend who recommended me for the pilot. And the word she said to me is, it's just a little family. It's like a period show. Part of it is a period show. It's just like a family drama. I was like, oh, this sounds so chill. Yeah, I'd come off of OJ with 40 principles. And I thought, oh, this will be great. Yeah.
But then I do remember the point where after the pilot was picked up and they were like, we're going to age Mandy into her 60s.
But then I do remember the point where after the pilot was picked up and they were like, we're going to age Mandy into her 60s.
But then I do remember the point where after the pilot was picked up and they were like, we're going to age Mandy into her 60s.
Like if everybody doesn't completely buy it 100%, that was the other option. And Zoe, you can attest to this. Like we... we went through several iterations of hair and makeup tests to sort of land on the Goldilocks, like the right look.
Like if everybody doesn't completely buy it 100%, that was the other option. And Zoe, you can attest to this. Like we... we went through several iterations of hair and makeup tests to sort of land on the Goldilocks, like the right look.
Like if everybody doesn't completely buy it 100%, that was the other option. And Zoe, you can attest to this. Like we... we went through several iterations of hair and makeup tests to sort of land on the Goldilocks, like the right look.
And that also sort of modified and changed over the course of maybe the first season or two, just with like the amount of appliances we would put on the face and just how far we would go for myself or for John or whatever. But I remember that very first hair and makeup test with another effects house that, you know, it wasn't the right look
And that also sort of modified and changed over the course of maybe the first season or two, just with like the amount of appliances we would put on the face and just how far we would go for myself or for John or whatever. But I remember that very first hair and makeup test with another effects house that, you know, it wasn't the right look
And that also sort of modified and changed over the course of maybe the first season or two, just with like the amount of appliances we would put on the face and just how far we would go for myself or for John or whatever. But I remember that very first hair and makeup test with another effects house that, you know, it wasn't the right look
for Rebecca or for Miguel, but I just remember us being like, Ooh, this is, this is a bridge too far.
for Rebecca or for Miguel, but I just remember us being like, Ooh, this is, this is a bridge too far.
for Rebecca or for Miguel, but I just remember us being like, Ooh, this is, this is a bridge too far.
I had actually, in between doing the pilot and when we knew we were going to be aging Rebecca, I had done a commercial and they had wanted to age an actress from her twenties with two actresses playing in the park, but bridging all the ages and the transitions in between. And I was shooting in Uruguay and Malaysia and I knew I needed appliances that were going to stay on and look good.
I had actually, in between doing the pilot and when we knew we were going to be aging Rebecca, I had done a commercial and they had wanted to age an actress from her twenties with two actresses playing in the park, but bridging all the ages and the transitions in between. And I was shooting in Uruguay and Malaysia and I knew I needed appliances that were going to stay on and look good.
I had actually, in between doing the pilot and when we knew we were going to be aging Rebecca, I had done a commercial and they had wanted to age an actress from her twenties with two actresses playing in the park, but bridging all the ages and the transitions in between. And I was shooting in Uruguay and Malaysia and I knew I needed appliances that were going to stay on and look good.
And I could do by myself, like I wasn't going to have an assistant there to help or anything.
And I could do by myself, like I wasn't going to have an assistant there to help or anything.