Zoe Pepper

Yeah.

Do you think that the housing crisis has created resentment between generations?

Yeah.

And I mean, it doesn't matter what generation your parents are, naturally, lots of the time, you do want to make them proud if they have helped you or you've worked hard.

But this line that kept popping up in the film that really got me was, there's a line around working hard and then the world will look after you.

Why did you want to include that in Birthright?

After making the film, did it change the way that you view or think about older generations and wealth accumulation in any way?

You touched on this just before about, you know, doing everything right and saving a deposit and still potentially not being able to even enter the market or touch the surface.

When we look at younger people,

who do feel like they're doing everything right or they're checking the boxes, but they still can't break into the housing market.

How do you think that frustration is fueling the narrative around the housing crisis right now?

Now, this film is going to get people talking, going to get politics, political sides talking as well.

What do you want people to take away from this film?

Do you want them to side with a certain generation?

Do you want them to resist?

Do you want them to kind of broaden their perspective of how hard it might be looking at it from multiple generations?

Yeah, you do poke fun at each generation quite equally, I think.

But I wanted to ask about kind of the generations in between.

We've got Gen Xs as well, and then we've got Gen Z and Gen Alpha.

Where do they kind of sit in this story?