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ART IS CHANGE: Strategies & Skills for Activist Artists & Cultural Organizers

10: How Activist Artists Like Milenko Matanovic Are Rebuilding Democracy From the Ground Up

14 Oct 2020

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Threshold Questions / Delicious QuotesWhy is our democracy struggling, What's wrong? Right now the default modality is that we are at our worst with each other. And that troubles me because we are robbing ourselves of the possibility to understand, first of all, the complexity of our time and second of all, to prepare ourselves for a future that would work for all of us.How can the process of community art-making help strengthen a struggling democracy?This is not an academic idea. This has been tested, and I'm more convinced than ever that we live in this treacherous and wonderful in between times right now, and the quality of this in-between time is that the music, the background, the understanding has changed, but our habits have not. So, we still dance to the music with all the dance steps. And so, it's absolutely vital to start learning the new dance, ... unless we learn these new qualities and apply them to daily activities, and everybody has a chance to that. A staff meeting can be a mini kindergarten for learning collaborative practice, ... what interests me right now, is everyday democracy and how opportunities are everywhere and inviting us to rise to the occasion. ... That's the foundation for which the change will happenUnder what conditions can we rise to our better selves?So what we've learned is when something specific is at stake, it's easier for people to flip from their differences into what can I contribute ... which is powerful. So, when it's abstract, we just argue about how we're different.What is the artists job when our collective capacities are threatened?We artists do not do it for them, they do it with them. Artists need to accept responsibility that they ... they need to put their ego aside. And when they exercise, the ego is within the framework of what the community wants, rather than what the artist wants, and then you invite people to become artists, to turn into construction workers and artisans and crafts people for a few days and do something together.TranscriptBill Cleveland: I met Milenko Matanovic on the US/Mexico border. We were there to confer with a couple of dozen other citizen artists from both countries to explore the audacious idea of creating a common ground cultural space, that literally straddled the border physically and creatively. The aim was to establish a creative laboratory for arts-based strategies for changing borders from dividers to cross community connectors--- not just for North America but for the whole world. Like I said it was audacious. Anyway, one amazing outcome from that cross-cultural collaboration festival was that one of the two countries actually signed on to crazy idea. I’ll leave it to your imagination to figure which one opted out. Another important outcome was the birth of the Pomegranate Center, which has served as the platform for Milenko’s community collaborations for the past three decades. In the decades since that border summit, I have come to know that challenging assumptions, poking holes in the impossible, and good-times-for-all are hallmarks for Milenko's way in the world. As an artist and designer, as a writer and speaker, as a teacher and philosopher, as an organizer and provocateur, Milenko Matonovic above all a hands-on maker and doer--- a creator on a lifelong journey to help communities realize what he views as the real American Dream -- grassroots democracy.Our conversation took place in February of 2020, just as the gathering storm of the pandemic was appearing on the...

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