Episode 229 - Gallery Lane Cove - Repair/Replace with Gary Gregg, Gary Deirmendjian and curator Miguel Olmo

Send us a textWe spoke with artists Gary Gregg and Gary Deirmendijan, together with curator and director Miguel Olmo, about Repair/Replace, the current exhibition at Gallery Lane Cove. Our conversation touched on the curatorial process, the role of found objects in art, and the unexpected significance they can hold. Gary Gregg shared insights into his collages made from studio detritus, and the ways these works sit alongside his painting practice. We also discussed pieces that Gary Deirmendjian describes as having “nil intent”, unconscious acts that make an artwork, such as a Sydney university noticeboards, layered over decades with thousands of staples and flyers, each mark a trace of countless hands.A huge thank you to Miguel, Gary G, and Gary D for joining us. Don’t miss Repair/Replace at Gallery Lane Cove.Opening tonight Weds 27th August 6-8pm at @gallerylanecove '20 August - 13 SeptemberOpening Event: 27 August 6pm - 8pm Gallery Lane CoveRepair | Replace brings together artists who confront the urgent need to rethink our relationship with the planet, considering the materials we choose, the stories we tell and the structures we sustain. Prompted by the quiet clarity of the pandemic lockdowns, the exhibition begins with a provocation: If we don’t repair our relationship with the planet, we ourselves may be replaced. Spanning painting, sculpture, installation, and object-based practices, the works examine cycles of damage and renewal. Artists in the exhibition approach materials not only for their physical properties, but for their capacity to carry histories, critique dominant structures, and open up new imaginaries of care, continuity, and transformation. ​Some artists engage with salvaged or post-consumer materials, either incorporating them directly or drawing conceptual inspiration from them. Whilst others foreground material culture in narratives that reflect on consumption, memory, and value. The exhibition draws a connection between material and planetary care. It proposes that our relationship to objects, spaces, and stories are intrinsic to how we relate to one another and in extension to the world we share.'

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