Angela Calomiris

Subscribe to Extra Bad Gays on Apple Podcasts or Patreon to support our work, get monthly bonus episodes, and join our community of listeners! Today we’re discussing a strange and compelling figure, the photographer Angela Calomiris. We can start at the end of her life, as a denizen of Provincetown, the little resort at the tip of Cape Cod in Massachusetts that has long been a haven for LGBTQ people. Angie had a reputation as a formidable figure in the town as a tough, and not always fair, businesswoman. She had made good money through some stiff deals. But she was also regarded as generous, if eccentric, by others. Yet behind Angie’s role as a local doyenne, she trailed a dark secret about her life as a young photographer in New York. How did Angela end up in Provincetown, and why was the mere sight of her name enough to induce horror in a fellow photographer? In today’s episode, we’ll discuss Angela’s life of FBI collaboration, naming names, secrets and lies. ----more---- Lisa Davis, Undercover girl : the lesbian informant who helped the FBI bring down the Communist Party (Imagine, 2017) Lisa Davis, The Spy Who Came in from the Closet https://glreview.org/article/the-spy-who-came-in-from-the-closet/ David K. Johnson, The Lavender Scare (Chicago University Press, 2004) Mason Klein, The radical camera : New York's Photo League, 1936-1951 (Yale University Press, 2011) Carol A. Stabile, The Broadcast 4: Women and the Anti- Communist Blacklist (Goldsmith's Press, 2018) Sophia Starmack, The rise and fall and P’town rebirth of Angela Calomiris https://eu.wickedlocal.com/story/provincetown-banner/2017/05/18/the-rise-fall-p-x2019/4502034007/ Veronica A. Wilson ‘I chose the values I regarded as American’: Sexuality, ethnicity, and FBI informant Angela Calomiris https://www.ingentaconnect.com/contentone/lwish/tcc/2021/00000020/00000020/art00005 Our intro music is Arpeggia Colorix by Yann Terrien. Our outro music is by DJ Michaeloswell Graphicdesigner. This podcast may contain copyrighted material, and its use is under the principles of fair use for purposes such as commentary, criticism, and parody. All rights belong to the respective copyright holders.  

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