S4E1: Bisexual Killjoys Lost in History

S4E1: Bisexual Killjoys Lost in History Welcome back to Bisexual Killjoy! Season 4 opens with a reckoning: what happens when your history keeps getting erased? Bailey and Jace reflect on how far the podcast has come, why bi+ history matters, and what it means to build legacy in a world that constantly pushes us to the margins. From Stonewall to the AIDS crisis, from forgotten activists to speculative bisexual icons, we’re taking a messy, curious, and determined dive into the cracks where our stories have been buried. In this episode, we talk about how bi+ erasure shows up in history books, archives, and movements that claim to be “for all queers,” but consistently leave us out. We trace six generations of bi+ activism, dig into the blessing and curse of being a decentralized community, and wrestle with what legacy-building actually means. Spoiler: it’s hard, it’s frustrating, and it’s essential.  This season is all about history, erasure, and resilience. Our goal isn’t to create a perfect archive but to give bi+ listeners a sense of place, belonging, and possibility. Allies, you’ll hear concrete ways to show up beyond rainbow reposts. Bi+ folks, this one’s for you: your history is here, your community is here, and you deserve to see yourself in it. Hosted by bi+ academics, writers, and advocates Bailey Merlin and Jace Rios Rivera, Bisexual Killjoy talks all things bisexual (pansexual, omnisexual, plurisexual, and overall bi+ness) because bisexuality isn’t a phase; it’s a phenomenon.  Were you a Bisexual Killjoy this week (or since we saw you last)? We want to hear from you! Follow us on @bisexualkilljoy on Instagram or email us at [email protected].  Resources Bi All Accounts: An Anthology of Bi+ Voices, Volume 1. Edited by Bailey Merlin, Bi+ Book Gang. 2025. Order your copy today! Bisexual Resource Center: https://biresource.org/  Foucault, Michel. The History of Sexuality. Pantheon Books, 1978. Sedgwick, Eve. Epistemology of the Closet. University of California Press, 1990. Sound engineer: Richie Smith

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