The provided text consists of extensive excerpts from the book, "The Violin Maker" by John Marchese, detailing the author's journey to understand the unique qualities of the violin, particularly by observing modern master luthier Sam Zygmuntowicz build a custom instrument for violinist Eugene Drucker of the Emerson String Quartet. The narrative contrasts the practical, meticulous craft of Zygmuntowicz, who works in Brooklyn and aims to compete with centuries-old Stradivari and Guarneri instruments, with the highly subjective and intimate experience of professional violinists like Drucker. The excerpts explore the lore and mystery surrounding famous Cremonese makers, particularly the search for the "secrets" of their wood and varnish, while also observing the modern luthier's technical process, including wood selection and the controversial practice of "antiquing" new violins.

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