FILE 35. The Room Where We Play Games

Audio data from various sources, detailing events which occurred at SITE2 on day 1317.MAJOR INSIGHT INTO:Status & thought process of ENTITY2Relationship status between ENTITY1 & ENTITY2ENTITY1 observable mood swingsMINOR INSIGHT INTO:Chess strategies of ENTITY1 & ENTITY3Local behaviors of “salmon”Communication from ANOMALY0IMPORTANT NOTES:As previously established, ENTITY3 appears to possess capabilities which exceed the understanding of known magical restriction. Her conduct, while enigmatic, suggests a depth of knowledge we may not be privy to. Given her… unique condition, such implausible proficiency may, regrettably, be within reason.Regrettably, ENTITY3 succeeded in dismantling the auditory interception array installed during the prior cycle. Although the network has since been reestablished, the resulting audio fidelity is markedly diminished and may impair precise transcription efforts.On a more promising note, we have successfully achieved a stable channel for direct optic observation while maintaining cloaked presence. Unfortunately, trans-spatial anomalies still preclude any form of visual recording, necessitating detailed manual documentation of both appearance and activity.It is anticipated—indeed, all but guaranteed—that AGENT23 will once again forgo objective reporting in favor of whimsical editorialization. Please remind her, in advance, that “mystique-to-mischief ratio,” “intensity of raw allure (her phrasing, not mine),” and references to “spook-chic silhouettes on parade” do not constitute valid observational metrics. Please.Performances by Blue Wolfe, Voicebox Vance, and Susan Dohan.With original music composed by Will Wood and produced by Jonathon Maisto.Additional music composed by Kyle Gabler and Another You.WEBSITEPATREONDISCORD

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