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Creative Slash

Ep. 003 - Mary Kate McDevitt: Fake IDs, Telephones & Using Art as Your Voice

06 Aug 2025

Description

What if your creativity was the loudest voice in the room? In this episode of the Creative Slash Podcast, Brad and Dustin sit down with illustrator and letterer Mary Kate McDevitt to talk about aliens, simulated realities, and the messy balance between creativity and commentary. From punk shows and fake IDs to organizing art around advocacy, Mary Kate opens up about her journey from skater poser to full-blown creative powerhouse living in a Vermont farmhouse with disco balls and barn concerts. They unpack: The risks and rewards of speaking up as a creativeWhy vulnerability online doesn’t have to mean being polarizingThe chaos-to-clarity loop behind making art and organizing a creative lifeHow a “tornado” of ideas becomes a career (and a pond full of frogs)It's real, it's hilarious, it's inspiring, and yes, you’ll probably want to move to Vermont by the end of it.Join the Creative Slash Patreon Want more than just the episode? Join our free Patreon community for: • Early episode access • Behind-the-scenes content • Bonus clips and tools • A space to connect with fellow creatives It’s free, fun, and helps keep the podcast ad-free. Join the Creative Slash Community Brad Woodard Brad is an illustrator and designer behind Brave the Woods, a full-service studio working with clients like Nickelodeon, Target, USPS, and NASA. His bold, playful style and heart-led storytelling shine through everything from brand campaigns to children’s books. View Brave the Woods Dustin Lee Dustin is the founder of RetroSupply, a shop for retro-inspired brushes, textures, and digital tools used by tens of thousands of creatives — from indie artists to major studios. He shares what it’s really like to run a creative business while keeping it small, weird, and intentional. View RetroSupply Credits Audio/video editing: Clara Wright Cover art: Brad WoodardIntro animation: Seth AustinIntro music: “Snakes and Fire” (Instrumental) by Pär Hagström

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