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Talk Art

Daisy Parris

07 Apr 2022

Description

New Talk Art! We meet leading British artist Daisy Parris to discuss their recent solo show 'I See You In Everyone I Love'. We discuss text, rough gestural brushstrokes, large-scale canvases and their punk aesthetic that led to painterly abstraction.Daisy Parris is a painter of psychological space. Direct text-based works and abstract paintings are made up of a vernacular that has developed through experience, relationships and through the depths and the peaks of their human existence thus far. Parris brings intimacy, insight and integrity to their paintings with great psychological and emotional force. The work is imbued with the sensitivity of one who feels everything, taking us through unflinching narratives and moments of reflection and tenderness. An ode to human existence, their work is sometimes silent, sometimes savage, with paintings that construct self portraits of personal battles and triumphs in a fast moving yet contemplative assault on the canvas.Daisy Parris (b. 1993, Kent, UK) lives and works in London, UK and holds BA (Hons) Fine Art from Goldsmiths University, London. Recent exhibitions include Pain For Home, M+B, Los Angeles, USA (solo), Star-Studded Canopy, Sim Smith, London, UK (solo), Talk Like Strangers, with Nico Stone, Sebastian Helling and Jesse Littlefield, Part 2 Gallery, Oakland, California, What Kind Of Spirit Is This?, Sim Smith, London, UK and Poem, Las Palmas Project, Lisbon, Portugal.Follow @DaisyParris and their official website https://daisyparris.com/ Visit their gallery @SimSmith_ and https://www.sim-smith.com/For images of all artworks discussed in this episode visit @TalkArt. Talk Art theme music by Jack Northover @JackNorthoverMusic courtesy of HowlTown.com We've just joined Twitter too @TalkArt. If you've enjoyed this episode PLEASE leave us your feedback and maybe 5 stars if we're worthy in the Apple Podcast store. For all requests, please email [email protected] Hosted on Acast. See acast.com/privacy for more information.

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