Oscar-nominated “The Alabama Solution” shows unfiltered prison life

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What human costs does 'The Alabama Solution' reveal about prison life?

With rare access and unflinching restraint, the documentary The Alabama Solution exposes the human cost of confinement in stark, at times difficult to watch detail. The film sets out and succeeds in offering a view of a mass incarceration system laid bare. If what we see is functioning as designed, should it be allowed to continue? Hello and welcome to USA Today's The Excerpt. I'm Dana Taylor. Today is Friday, March 6th, 2026. The Alabama Solution was directed and produced by Andrew Jarecki and Charlotte Kaufman and co-produced by Alex Duran, program director at Galaxy Gives, an organization committed to criminal justice reform. The film has been nominated for Best Documentary at this year's Academy Awards.
Andrew and Alex, thank you so much for joining me to discuss the film. Yeah.

How did the Department of Justice's lawsuit impact Alabama's prison system?

Thank you for having us, sir. Yeah. Thank you for having us. Andrew, I want to try to get a sense of the scale. In 2020, the Department of Justice sued the Alabama Department of Corrections for unconstitutional conditions in men's prisons. Where does that case stand and what can you share regarding the number of lives lost? Well, we started working on this film seven years ago and have been tracking every death in the system, which is critical because the Department of Corrections doesn't do that. You know, if you can't measure it, you can't fix it. And I think their attitude is we don't really even want to know how bad this is. So there have been 1500 people that have died in the system since we started working on the film.

What unique access did the filmmakers have to the incarcerated voices?

And those people are dying from drug overdoses. The drugs are primarily brought in by officers, sold by officers, and they're dying from medical neglect. They're dying from being killed by officers, which is something you see in our film. So the problem is very, very significant. And Alabama doesn't seem to want to address it. And so when the DOJ came in and said, we have done this big investigation into your prison system, which lasted a few years, and we are clear that your constitutional protections have been ignored, you know, you've got all kinds of cruel and unusual punishment happening here. And Alabama's response was to say, well, that's just anecdotal. That's really not true. We don't agree with your work.
You didn't investigate properly. And therefore, they refused to make any changes. They refused to even undertake a consent decree. And instead, they went to court, decided to fight it. And that's been underway for a number of years. The internal workings of the US incarceration system are rarely seen. Andrew, your film centers the voices of the incarcerated. For those who've not yet seen the film, how did you obtain the footage used in the film? Well, the first time that we went into an Alabama prison, and it was sort of the only time that we ever did with a camera, it was by coincidence, sort of miraculous, that they allowed us to do it at all. And it was because we went into a Selma revival meeting
kind of a religious day where they were doing a barbecue and that's a pretty unusual situation anyway.

How did the filmmakers gather footage for 'The Alabama Solution'?

But while we were there, men started taking us aside and saying there are terrible things happening inside the prisons that they're not letting you see. That building over there is where they've got people in solitary confinement, sometimes for five years at a time. That building over there is the behavior modification unit where bards have killed men. And they were so disturbed and the situation was so dire that they asked us if we would be able to get the word out for them. And then we discovered that there was this network of leaders inside who had been organizing nonviolent protests for years, who were incredibly knowledgeable about the system and had access to command cell phones. And so we were in a position to have them tell their own story, which is why the film is so different than if you see some episode of some prison show on television where it's obviously all curated by the administration.
That was one aspect that was really fascinated by those contraband cell phones.

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