David Houston Jones: Visual Culture and the Forensic

Visual Culture and the Forensic bridges practices conventionally understood as forensic, such as crime scene investigation, and the broader field of activity which the forensic now designates, for example, in performance and installation art, or photography. David Houston Jones speaks to Pierre d’Alancaisez about the evidentiary and forensic burden of art and photography, the artifice of crime imaging, the visual traces of data, and the ontology of data and objects. Angela Strassheim’s Evidence Melanie Pullen’s Crime Scenes, Hugo’s Camera The death of Alan Kurdi and Ai WeiWei’s restaging of the scene Kathryn Smith’s Incident Room: Jacoba ‘Bubbles’ Shroeder, 1949-2012 Luc Delahaye Horace Vernet Trevor Paglen’s Autonomy Cube Laura Poitras’ Citizenfour Julian Charrière’s Blue Fossil Entropic Stories, 2013 Simon Norkfolk’s When I am Laid in Earth Cory Arcangel’s Data Diaries, 2003 My interview with Eyal Weizmann and Matthew Keenan on Forensic Aesthetics and the practice of Forensic Architecture Josef Mengele’s bones used in forensic identification Forensic Architecture‘s investigations My interview with Toby Green and Thomas Fazi on The Covid Consensus. David Houston Jones is Professor of French and Visual Culture at the University of Exeter. Visual Culture and the Forensic: Culture, Memory, Ethics David Houston Jones 9780367420932 ************* Find many more interviews, projects, and my writing at https://petitpoi.net/ You can sign up for my newsletter at https://petitpoi.net/newsletter/ Support my work: https://petitpoi.net/support/

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