What’s My Thesis?

261 What We Keep: Material Memory and Cultural Translation in the Work of Chenhung Chen

01 Jun 2025

Audio

Description

In this intimate conversation hosted at Don’t Look Projects for her solo show By the Company They Keep, the Chenhung Chen traces a path from formative memories of classroom murals in Taiwan to a tactile, spiritually inflected sculptural practice rooted in the poetics of material and memory. Drawing on a lifetime of cross-cultural experience—born in Taiwan, educated in New York at the School of Visual Arts, and now based in California—Chen reflects on the diasporic transformations that shaped her worldview, her practice, and her understanding of artistic responsibility. Over the course of the episode, she speaks candidly about the lasting impact of calligraphy, the subtle power of Taoist and Confucian thought, and the slow labor of crochet and wire weaving as acts of embodied meditation. Her early engagement with Chinese ink painting, which emphasizes the expressive qualities of line and brushstroke, has evolved into three-dimensional constructions made from recycled electrical wires and cables—materials charged both with literal energy and symbolic resonance. The conversation explores the artist’s conceptual relationship to “order and chaos,” how her sculptural forms emerge from stream-of-consciousness gestures, and the intuitive logic behind her use of nontraditional materials. She discusses how her experiences as a medical and legal interpreter have revealed the porous boundaries between cultures and languages, underscoring the interconnectedness of all people. Throughout, she emphasizes the importance of embracing contradiction, translating cultural tension into visual rhythm, and honoring what she describes as “the inner world”—a central tenet of her creative methodology. Themes of hybridity, displacement, and the invisible labor of women recur throughout the dialogue, as the artist describes her attraction to utilitarian crafts like crochet and basketry, her reverence for nature, and her use of everyday materials—paper, staples, hair, and cables—as repositories of lived experience. The result is a body of work that operates like a visual diary: both diaristic and durational, deeply rooted in personal memory and shaped by global histories. From reflections on the Cultural Revolution and Renaissance painting to the pandemic-era shift toward domestic intimacy, this episode offers a nuanced meditation on what it means to make art across geographies, traditions, and states of being. For Chenhung Chen, to create is to process—an act of digestion as much as construction. “Everything I see, I take in,” she says. “And then it comes out.” — Listen now on Apple Podcasts, Spotify, or your preferred platform. 🔗 www.whatsmythesis.com 📸 Follow on Instagram: @whatsmythesis 🎧 Support the show for early access: patreon.com/whatsmythesis #ChenhungChen #ContemporaryArt #FiberArt #AsianDiaspora #CulturalIdentity #MaterialPractice #TaiwaneseArtist #ArtPodcast #DontLookProjects #ByTheCompanyTheyKeep

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13:00H | 21 DIC 2025 | Fin de Semana

01 Jan 1970

Fin de Semana

10:00H | 21 DIC 2025 | Fin de Semana

01 Jan 1970

Fin de Semana

12:00H | 20 DIC 2025 | Fin de Semana

01 Jan 1970

Fin de Semana

2ª PARTE | 06 ENE 2026 | EL PARTIDAZO DE COPE

01 Jan 1970

El Partidazo de COPE

3ª PARTE | 22 ENE 2026 | EL PARTIDAZO DE COPE

01 Jan 1970

El Partidazo de COPE

3ª PARTE | 04 MAR 2026 | EL PARTIDAZO DE COPE

01 Jan 1970

El Partidazo de COPE

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What’s My Thesis?

261 What We Keep: Material Memory and Cultural Translation in the Work of Chenhung Chen

This episode hasn't been transcribed yet

Other recent transcribed episodes

13:00H | 21 DIC 2025 | Fin de Semana

10:00H | 21 DIC 2025 | Fin de Semana

12:00H | 20 DIC 2025 | Fin de Semana

2ª PARTE | 06 ENE 2026 | EL PARTIDAZO DE COPE

3ª PARTE | 22 ENE 2026 | EL PARTIDAZO DE COPE

3ª PARTE | 04 MAR 2026 | EL PARTIDAZO DE COPE

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