南方家園10月出版了一套詩集:《鮮卑:如我等將之譯為骨稜稜的瘦駑駘與遠迢迢的屈曲路》/《綠》,分別彰顯了兩種不同的寫作策略與主題試驗。 第一冊詩集《鮮卑:如我等將之譯為骨稜稜的瘦駑駘與遠迢迢的屈曲路》以譯事為敘事的軸心,共選錄了一百三十首詩稿或文稿,創作時間主要分散在二○一七年至二○二二年中旬之間,並依翻譯格式、譯法與主題對象之殊異,分成六輯。第二冊詩集《綠》以生活為提煉對象,以作者最樸素的日常作為研製詩想的場所。 在前一集,作者和台大中文系佘筠珺教授和渡鴉日譯者中山陽菜同學聊了「渡り鴉」這個翻譯計劃。今天,我們再來和二位更具體的往下聊「渡り鴉」的翻譯過程。 ○「渡り鴉」這一系列組詩,可說是《鮮卑:如我等將之譯為骨稜稜的瘦駑駘與遠迢迢的屈曲路》的軸心,在翻譯過程中,三位透過電子媒介或見面,密集的溝通討論,聊聊各自印象最深刻的事? ○翻譯對審訂者、原文作者、譯者各自最大的為難在哪? 中山陽菜:如何保持在中文裡面深瀨先生與我的距離。 ○翻譯使語言或詞語擁抱了地緣文化或地緣政治學的意義,同時也體現了流動的文化資本的解疆域化價值。對中山陽菜來說,透過一起翻譯這一些深瀨昌久及其攝影作品的過程,具有甚麼文化認識上的意義與價值? ○從「渡鴉」到詩集《鮮卑:如我等將之譯為骨稜稜的瘦駑駘與遠迢迢的屈曲路》/綠套書如何命名?以及創作概念? ★詩聲誌:詩人蔡琳森、譯者中山陽菜,中、日語朗讀〈鴉〉等三首 https://www.youtube.com/watch?v=44VwyRg57ZM ◆◆◆◆◆◆ ◆◆◆◆◆◆ ║《鮮卑:如我等將之譯為骨稜稜的瘦駑駘與遠迢迢的屈曲路/綠》套書 ║蔡琳森/姚秀山 ║中山陽菜 なかやまはるなNakayama Haruna 日譯者 ║佘筠珺 日譯審定 ║南方家園10月5日上市 ◆◆◆◆◆◆ ◆◆◆◆◆◆ 🎵音樂使用 Breath Of Freedom by WinnieTheMoog Link: https://filmmusic.io/song/6434-breath-of-freedom License: http://creativecommons.org/licenses/by/4.0/ 留言告訴我你對這一集的想法: https://open.firstory.me/user/ckih360qw5fii0826otr104sx/comments Powered by Firstory Hosting
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