因一幅《步辇图》，他的名字流传千古。“画家”身份对于阎立本而言是极具冲突性的。身后，他非凡的画艺为中国画史留下了时代意义；而生前，“驰誉丹青”也给他的政治生涯带来了莫大的讽刺与耻辱。在绘画被视作末技的大唐，“画师宰相”阎立本该如何立足于朝堂？·工艺世家，出相才 00:03:42·初入王府，掌库房 00:09:53·贞观之年，绘战马 00:14:00·当众作画，蒙耻辱 00:39:22·永徽之年，识怀英 00:44:13·画作遗世，流千古 00:51:17图片资料：09:53 阎立本老师郑法士的壁画——《莫高窟 390窟观音像》17:06 昭陵六骏石刻，现存于西安碑林博物馆。（其中飒露紫、拳毛騧为复刻）白蹄乌：特勒骠：飒露紫：青骓：什伐赤：拳毛騧：30:33 《步辇图》34:40 《历代帝王图》晋武帝司马炎：蜀主刘备：南北朝 南朝陈国皇帝：陈宣帝 腰舆的细节图：周武帝宇文邕服饰局部图：
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