出生在瑞典的家具设计师Gustaf Westman，几乎满足了我们对“新奇又实用、多彩还和谐”的一切幻想。比如：只能放下11颗肉丸的狭长餐盘（宜家官方标准可能是12）在你家床头随意旋转的粉色星球台灯（太空迷请勿较真轨道力学）一根看起来像是绕线失败的螺旋钢丝，居然变成了花瓶（花也是懵的）这些色彩大胆、形式超现实的设计语言，怎么看都像是宜家的反面教材。结果其实是他和宜家的大爆联名：全球上架即售罄，社交媒体集体着火。对宜家来说，Gustaf是让产品活过来的魔术师。对Gustaf来说，这又何尝不是一次瑞典人和瑞典品牌的“乡土回归”，天然有点羁绊。原本偏小众的设计师品牌，借由宜家全球供应链的大手笔，成功插上翅膀，飞进了每一个追求“生活有点意思”的家庭。顺便补一张他的瑞典人设资料卡：最爱的酒精饮品是啤酒最爱的运动是跑步最爱的专辑是Blonde最欣赏的瑞典设计品牌是Acne Studios最爱在妈妈的Instagram下面评论“爱你❤️”是的，这个怎么看都符合刻板印象的斯京南岛大男孩，骨子里还是个童心未泯的创意怪才。他正带着一堆看起来“不太能坐”的椅子和“有点太粉了吧”的灯具，向我们走来。至于他还能带来多少惊喜，拭目以待，反正宜家的货架肯定是会先空一轮。
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